tag:blogger.com,1999:blog-79703388696235050002024-03-05T17:47:56.502-08:00Fundacion Rocio Duran-BarbaFundacion RDBhttp://www.blogger.com/profile/09391018712810472679noreply@blogger.comBlogger109125tag:blogger.com,1999:blog-7970338869623505000.post-874139382561231552018-03-06T03:24:00.000-08:002018-03-06T03:24:10.636-08:00FEVRIER 2018<div class="gmail_default" style="color: #073763; font-family: garamond,serif; font-size: large;">
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<span lang="FR" style="color: blue; font-family: Verdana;"><b>ROCÍO DURÁN
BARBA et QUIMERA</b></span><b><span lang="FR" style="color: blue; font-family: Verdana; font-size: 11.0pt;"> </span></b></div>
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<b><span lang="FR" style="color: blue; font-family: Verdana; font-size: 11.0pt;">un des groupes musicaux les plus connus de
l’Équateur</span></b><span lang="FR" style="color: blue; font-family: Verdana;"></span></div>
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<span lang="FR" style="color: blue; font-family: Verdana;">ont
présenté un spectacle poétique et musical inoubliable</span></div>
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<b><span lang="FR" style="font-family: Verdana; font-size: 11.0pt;">FEVRIER 2018 : ÉQUATEUR</span></b><span lang="FR" style="color: blue; font-family: Verdana;"></span></div>
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<b><span lang="FR" style="font-family: Verdana; font-size: 11.0pt;">Spectacle poétique et musicale : « Ma vie entre
rêve et réalité ».</span></b></div>
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<b><span lang="FR" style="font-family: Verdana; font-size: 11.0pt;">D’après le livre de poèmes de Rocío Durán-Barba présenté
à l’occasion : <i>Mi vida entre el
sueño y la realidad</i></span></b></div>
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<span lang="FR" style="color: blue; font-family: Verdana;">Rencontres
et nouvelles : mars 2018</span></div>
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<b><span lang="FR" style="font-family: Verdana; font-size: 11.0pt;">7-11 MARS : </span></b><span lang="FR" style="font-family: Verdana; font-size: 11.0pt;">PARIS<b> </b></span></div>
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<b><span lang="FR" style="color: blue; font-family: Verdana; font-size: 11.0pt;">La Galerie du Génie de la Bastille</span></b></div>
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<b><span lang="FR" style="font-family: Verdana; font-size: 11.0pt;">Printemps des Poètes à Paris</span></b></div>
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<span lang="FR" style="color: blue; font-family: Verdana; font-size: 11.0pt;">7 mars,
vernissage </span><span lang="FR" style="font-family: Verdana; font-size: 11.0pt;">à partir de 18h : Rocío
Durán-Barba : récital. </span></div>
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<b><span lang="FR" style="font-family: Verdana; font-size: 11.0pt;">Présentation du livre d’artiste</span></b><span lang="FR" style="font-family: Verdana; font-size: 11.0pt;"> de Danielle Loisel et de Rocío Durán-Barba avec le poème
« Ta voix ». </span></div>
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<span lang="FR" style="font-family: Verdana; font-size: 11.0pt;">Adresse : 126 rue de
Charonne, 75011-Paris</span></div>
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<b><span lang="FR" style="font-family: Verdana; font-size: 14.0pt;">TUNISIE, SFAX</span></b></div>
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<b><span lang="FR" style="font-family: Verdana; font-size: 11.0pt;">9-10 MARS</span></b><span lang="FR" style="font-family: Verdana; font-size: 14.0pt;"></span></div>
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<b><span lang="FR" style="color: blue; font-family: Verdana; font-size: 11.0pt;">1<sup>ER</sup> FESTIVAL INTERNATIONAL
DU PRINTEMPS DES POÈTES.</span></b></div>
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<span lang="FR" style="font-family: Verdana; font-size: 11.0pt;">Rocío Durán-Barba : </span></div>
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<span lang="FR" style="font-family: Verdana; font-size: 11.0pt;">intervention lors de l’inauguration : </span></div>
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<span lang="FR" style="font-family: Verdana; font-size: 11.0pt;">« <b>Francophonie
et poésie »</b></span></div>
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<span lang="FR" style="font-family: Verdana; font-size: 11.0pt;">Récital : </span></div>
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<b><span lang="FR" style="font-family: Verdana; font-size: 11.0pt;">« Le printemps susurre »</span></b></div>
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<span lang="FR" style="font-family: Verdana; font-size: 11.0pt;">Présentation de son nouveau recueil de poésie : </span></div>
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<b><i><span lang="FR" style="font-family: Verdana; font-size: 11.0pt;">Au chevet de ma plume</span></i></b></div>
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<b><span lang="FR" style="font-family: Verdana; font-size: 11.0pt;">16-18 MARS : </span></b><span lang="FR" style="font-family: Verdana; font-size: 11.0pt;">PARIS<b><i></i></b></span></div>
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<b><i><span lang="FR" style="color: blue; font-family: Verdana; font-size: 11.0pt;">L’autre</span></i></b><b><span lang="FR" style="color: blue; font-family: Verdana; font-size: 11.0pt;"> salon du LIVRE </span></b></div>
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<span lang="FR" style="font-family: Verdana; font-size: 11.0pt;">Rocío Durán-Barba </span><span lang="FR" style="font-family: Verdana; font-size: 11.0pt;">signe son œuvre poétique :
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<b><i><span lang="FR" style="font-family: Verdana; font-size: 11.0pt;">Une voix me le dit, </span></i></b><span lang="FR" style="font-family: Verdana; font-size: 11.0pt;">Prix
de la Ville de Saint-Orens, </span></div>
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<span lang="FR" style="font-family: Verdana; font-size: 11.0pt;">Prix des Arts littéraires 2017.</span><span lang="FR" style="color: blue; font-family: Verdana; font-size: 11.0pt;"></span></div>
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<b><span lang="FR" style="font-family: Verdana; font-size: 11.0pt;">Stand Ed. La feuille de Thé</span></b></div>
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<span lang="FR" style="color: blue; font-family: Verdana; font-size: 11.0pt;">Samedi 17
mars : 18H-20H</span></div>
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<span lang="FR" style="font-family: Verdana; font-size: 11.0pt;">Palais de la Femme (entrée
libre)</span></div>
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<span lang="FR" style="font-family: Verdana; font-size: 11.0pt;">Adresse : 94 rue de
Charonne, 75011-Paris</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgCnBpLlemUuZwlsy09o00myTYVJsJYfK24-xUBSI2dnp1TSE1gCEjs6OI33dlMFkwaLILa16YG-MtZbuoR1p6kGn0s_3ZcRASBXcFYmqL8_M3XThcxrlJTjQ6dGgkcg0x_YySMpJCtsLOp/s1600/rocio_4.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="350" data-original-width="253" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgCnBpLlemUuZwlsy09o00myTYVJsJYfK24-xUBSI2dnp1TSE1gCEjs6OI33dlMFkwaLILa16YG-MtZbuoR1p6kGn0s_3ZcRASBXcFYmqL8_M3XThcxrlJTjQ6dGgkcg0x_YySMpJCtsLOp/s320/rocio_4.jpg" width="231" /></a></div>
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<b><span lang="FR" style="color: blue; font-family: Verdana; font-size: 14.0pt;">ARTS ET JALONS </span></b><b><span lang="FR" style="color: blue; font-family: Verdana;"></span></b></div>
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<b><span lang="FR" style="font-family: Verdana;">SAMEDI 24 MARS, 14h30</span></b></div>
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<span lang="FR" style="font-family: Verdana;">vous invitent à la
présentation de la poète</span></div>
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<b><span lang="FR" style="color: blue; font-family: Verdana;">ROCIO DURAN-BARBA par CLAUDINE BOHI</span></b></div>
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<span lang="FR" style="font-family: Verdana;">et de la peintre</span></div>
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<b><span lang="FR" style="color: blue; font-family: Verdana;">VIVIANE ASAPCHE par GABRIEL SAAD</span></b></div>
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<span lang="FR" style="font-family: Verdana;">au Centre Pierre
Cochereau</span></div>
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<span lang="FR" style="font-family: Verdana;">2 av. Gambetta – 94160
St-Mandé</span></div>
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<b><span lang="FR" style="font-family: Verdana; font-size: 11.0pt;">29 MARS : </span></b><span lang="FR" style="font-family: Verdana; font-size: 11.0pt;">PARIS<b><i></i></b></span></div>
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<b><span lang="FR" style="color: blue; font-family: Verdana; font-size: 11.0pt;">PEN CLUB français </span></b><span lang="FR" style="color: blue; font-family: Verdana; font-size: 11.0pt;">(Poètes, Essayistes, Nouvellistes)<b> </b></span></div>
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<span lang="FR" style="font-family: Verdana; font-size: 11.0pt;">Rencontre-lecture :
« La femme et Résister » 14H30-18H</span></div>
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<span lang="FR" style="font-family: Verdana; font-size: 11.0pt;">Rocío Durán-Barba participe
à la lecture de poèmes « Résister » organisée par Françoise Coulmin.</span><b><span lang="FR" style="color: blue; font-family: Verdana; font-size: 11.0pt;"> </span></b></div>
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<span lang="FR" style="font-family: Verdana; font-size: 11.0pt;">Adresse : </span><span lang="FR" style="font-family: Verdana; font-size: 11.0pt;">6, rue François Miron,
75004-Paris</span></div>
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<b><span lang="FR" style="font-family: Verdana;">NOUVEAUX ARTICLES </span></b></div>
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<span lang="FR" style="font-family: Verdana;">Vient de paraître dans
la prestigieuse revue littéraire<b><span style="color: blue;"> Les hommes sans
épaules / 45 </span></b>« Rocío Durán-Barba » et une sélection de
poèmes !<b></b></span></div>
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<a data-saferedirecturl="https://www.google.com/url?hl=es&q=http://www.leshommessansepaules.com/auteur-Rocio_DURAN_BARBA-715-1-1-0-1.html&source=gmail&ust=1520421427518000&usg=AFQjCNEfpV9b4cRuo6wUwkrlFassf5HdYg" href="http://www.leshommessansepaules.com/auteur-Rocio_DURAN_BARBA-715-1-1-0-1.html" target="_blank"><span lang="FR" style="font-family: Verdana; font-size: 10.0pt;">http://www.leshommessansepaule<wbr></wbr>s.com/auteur-Rocio_DURAN_BARBA<wbr></wbr>-715-1-1-0-1.html</span></a><span lang="FR" style="font-family: Verdana; font-size: 10.0pt;"></span></div>
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<b><span lang="FR" style="color: blue; font-family: Verdana;">Quotidien <i>LA HORA</i>, Équateur :</span></b></div>
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<span lang="FR" style="font-family: Verdana;">Article : « Rocío
Duran Barba y Quimera se juntan en un espectáculo poético y musical ».</span></div>
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<a data-saferedirecturl="https://www.google.com/url?hl=es&q=https://fotos.lahora.com.ec/noticia/1102135682/rocio-duran-barba-y-quimera-se-juntan-en-un-espectaculo-poetico-musical&source=gmail&ust=1520421427518000&usg=AFQjCNFyBPjCp_6z1jo0vuV5F4NFBIPtGw" href="https://fotos.lahora.com.ec/noticia/1102135682/rocio-duran-barba-y-quimera-se-juntan-en-un-espectaculo-poetico-musical" target="_blank"><span lang="FR" style="font-family: Verdana; font-size: 10.0pt;">https://fotos.lahora.com.ec/no<wbr></wbr>ticia/1102135682/rocio-duran-b<wbr></wbr>arba-y-quimera-se-juntan-en-un<wbr></wbr>-espectaculo-poetico-musical</span></a><span lang="FR" style="font-family: Verdana; font-size: 10.0pt;"></span></div>
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<b><span lang="FR" style="color: blue; font-family: Verdana;">Information sur le livre <i>Une voix
me le dit</i></span></b><i><span lang="FR" style="color: blue; font-family: Verdana; font-size: 11.0pt;"> </span></i><span lang="FR" style="color: blue; font-family: Verdana; font-size: 11.0pt;">:</span><span lang="FR" style="color: #0a2850; font-family: Garamond;"></span></div>
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<span lang="FR" style="color: #0a2850; font-family: Verdana;">Préface
par Claudine Bohi </span><span lang="FR" style="color: #0a2850; font-family: Verdana;">: </span><a data-saferedirecturl="https://www.google.com/url?hl=es&q=http://fundacionrocioduran-barba.blogspot.com.es/2017/04/preface-par-claudine-bohi-une-voix-me.html&source=gmail&ust=1520421427518000&usg=AFQjCNHjFhTr5K1AYG0R2gOn8VB0EGu4rw" href="http://fundacionrocioduran-barba.blogspot.com.es/2017/04/preface-par-claudine-bohi-une-voix-me.html" target="_blank"><span lang="FR" style="color: #103cc0; font-family: Verdana;">LIRE ICI</span></a><span lang="FR" style="color: #0a2850; font-family: Garamond;"></span></div>
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<span lang="FR" style="color: #0a2850; font-family: Verdana;">Présentation
du livre par Anne-Marie Vergnes : </span><a data-saferedirecturl="https://www.google.com/url?hl=es&q=http://fundacionrocioduran-barba.blogspot.com.es/2017/04/intervention-danne-marie-vergnes-remise.html&source=gmail&ust=1520421427518000&usg=AFQjCNG7u4qSb13qPlLZE2VyWSoGYVIXug" href="http://fundacionrocioduran-barba.blogspot.com.es/2017/04/intervention-danne-marie-vergnes-remise.html" target="_blank"><span lang="FR" style="color: #103cc0; font-family: Verdana;">LIRE ICI</span></a><span lang="FR" style="color: #0a2850; font-family: Garamond;"></span></div>
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<span lang="FR" style="color: #0a2850; font-family: Verdana;">Article
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Fundacion RDBhttp://www.blogger.com/profile/09391018712810472679noreply@blogger.com0tag:blogger.com,1999:blog-7970338869623505000.post-17749893156255763372017-12-29T09:36:00.001-08:002017-12-29T09:36:27.120-08:00Parole émancipeée, article de Monique W. Labidoire parut dans la revue Les Hommes sans Epaules, Nº 44, deuxième semestre 2017.<div class="separator" style="clear: both; text-align: center;">
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<br />Fundacion RDBhttp://www.blogger.com/profile/09391018712810472679noreply@blogger.com0tag:blogger.com,1999:blog-7970338869623505000.post-70765742428862513802017-12-29T09:35:00.000-08:002017-12-29T09:35:10.080-08:00Équateur, article d'Odile Cohen-Abbas parut dans la revue Les Hommes sans Epaules, Nº 44, deuxième semestre 2017.<div class="separator" style="clear: both; text-align: center;">
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<br />Fundacion RDBhttp://www.blogger.com/profile/09391018712810472679noreply@blogger.com0tag:blogger.com,1999:blog-7970338869623505000.post-49107775363405948582017-10-18T03:19:00.000-07:002017-10-18T03:21:26.381-07:00Article dans la revue "Recours au Poème"<h1 class="title gutter">
Fil de lecture autour d’Henri MESCHONNIC, de Rocio DURAN-BARBA, de Marianne WALTER et de Joyce LUSSU</h1>
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Henri MESCHONNIC :<em> Infiniment à venir.</em></div>
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Le rêve fou de la société totalitaire et technocratique dans laquelle nous vivons est de réduire l'homme à un numéro : <em>"il n'y a plus que des noms / qui sont des chiffres"</em> affirme Henri Meschonnic dans <em>"Infiniment à venir"</em> (p 15). C'est à cette lumière que je lis ces poèmes… L'éditeur, dans sa présentation du livre, note que <em>"les poèmes </em>d'Infiniment à venir <em>sont nés de la découverte de l'</em>Historial de la Grande Guerre de Péronne<em>, dans la Somme"</em>.
J'ai visité ce musée, mais j'en ai tiré une autre leçon. Peu importe
laquelle. Ce qui m'intéresse ici, c'est celle que tire Meschonnic de
cette visite.</div>
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C'est le destin, le devenir de l'homme, animal social, qui est ausculté par le poète. Dès le deuxième poème, il note que <em>"les pierres / ne se réveillent pas / et tant et tant / sont fondus / dans les pierres"</em>.
La Grande Guerre fut une des plus meurtrières de l'Histoire. Je me
souviens d'avoir trouvé le volume d'Otto Dix 1 qui donne la reproduction
des 50 eaux-fortes qu'il tira de son expérience au front dans l'armée
allemande : c'est toute l'horreur de la guerre, de la folie meurtrière
voulue par les gouvernements, qui est ainsi exprimée. Et je comprends
mieux ces vers de Meschonnic, <em>"On a aussi enterré / le bruit / et les éclats de la lumière",</em>
à la vue des gravures de Dix. Poésie descriptive ou narrative qui
s'alimente dans la visite de l'Historial mais aussi poésie qui réfléchit
sur le monde et ses horreurs : une Europe qui se déchire, une Europe
qui, pour reprendre les mots de Pierre Drachline, est dominée par <em>le quatrième Reich</em>
d'Angela Merkel 2… Le spectacle de cette guerre débouche sur le
mutisme du poète, mutisme qu'il reconnaît comme devenant prétexte à
écrire des vers :<em> "je cherche des mots / mais il n'y a plus de sens" </em>(p 21). La visite de l'Historial de la Grande Guerre est au-delà des mots, ou plus précisément <em>"du temps qu'il y avait / des noms"</em> (p 26). C'est l'horreur indicible que disent ces poèmes. Il ne reste alors plus au poète qu'à se <em>retirer</em> pour ne pas ajouter de silence au silence qui se dégage de ce qui est présenté à Péronne…</div>
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L'éditeur a eu l'excellente idée de compléter ces
poèmes par le discours que prononça Henri Meschonnic en 2006 (il
disparaîtra en avril 2009) lors de la remise du Prix Jean Arp de
Littérature francophone. Plus qu'un simple discours, <em>Pour le poème et par le poème</em>
est un véritable essai dans lequel il tente de définir la poésie et
l'écriture poétique : c'est qu'il a une longue expérience de traduction
des textes bibliques <em>"où il n'y a ni vers ni prose mais un primat généralisé du rythme"</em> (p 39). Henri Meschonnic a aussi une œuvre importante d'essayiste. C'est que <em>"le corps-langage</em> est<em> comme poésie de la pensée"</em>
(p 41). Penser Héraclite et non plus Platon, affirme Henri Meschonnic,
suivent alors des définitions où le poète essaie de capter ce que
représentent la théorie du langage et la poésie qui sont intimement
liées. De son activité de traducteur, Henri Meschonnic arrive à la
conclusion que <em>"la réalité est que traduire n'a pas pour produit la traduction d'un texte"</em> mais bien <em>"une représentation du langage"</em>
(pp 47-48). Ce qui touche à la poésie, pour dire mal ce que Meschonnic
dit si bien. Des approches savantes de diverses connaissances sont
convoquées pour aboutir à une définition de la poésie comme <em>"invention du corps-langage"</em>
(p 56). Dès lors, vie et langage sont inextricables (p 58). En courts
chapitres (qui ne font pas deux pages), Henri Meschonnic essaie de
s'approcher au plus près du poème. Revenant à la traduction de la Bible,
il met en évidence que <em>"le verset est une unité rythmique, intérieurement organisée"</em> et donc qu'il n'y a <em>"aucune opposition entre des vers et de la prose"</em> (p 64). Le rythme est alors vu comme <em>"un continu de la sémantique sérielle qui neutralise autant la notion de vers et la notion de prose, que leur opposition"</em>
(p 67). Henri Meschonnic sait se montrer convaincant mais reste alors
des approches poétiques multiples qui font que le lecteur peut trouver
son dû n'importe où, peut trouver du plaisir dans des formes rejetées ( ?
) par Meschonnic. Mais c'est là un autre problème : <em>"Laisser passer le poème"</em> affirme-t-il <em>in fine</em> !</div>
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1. Otto Dix, <em>"La Guerre"</em>. Cinq Continents éditions, 2003.<br />
2. Pierre Drachline, <em>"Éloge de l'imposture"</em>. Le Cherche-Midi éditeur, 2016.<br />
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Rocio DURAN-BARBA : <em>Une voix me le dit.</em><br />
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Bardée de diplômes, Rocio Duran-Barba est née en
Équateur et elle vit à Paris. Ce qui explique qu'elle écrive directement
en français son <em>"Une voix me le dit"</em> que publie aujourd'hui <em>La Feuille de Thé</em>. Ce recueil réunit 82 courtes proses terminées par deux mots en escalier (comme les vers du grand Maïakovski) où le terme <em>étrange</em> figure à chaque fois sauf dans le dernier "poème".</div>
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Le Cotopaxi (un volcan équatorien d'environ 5900
mètres d'altitude) est entré en éruption (du moins dans ce livre). Mais
Rocio Duran-Barba ne se livre pas à une étude scientifique… Populations
(avec lamas et alpagas), chamanes, divinités anciennes, dieux (dont <em>Viracocha</em>), viennent assister à l'éruption. Mais ce n'est qu'un prétexte car Rocio Dura-Bara avoue : <em>" Viracocha avait décidé de réorganiser la planète"</em>
(p 15) sans qu'on sache si Rocio Duran-Barba se sert de ce prétexte
pour revisiter son enfance, les mythes fondateurs (tous symbolisés par
des divinités comme <em>Inti</em>, <em>Mama Quilla, Pacha Mama, Pachacamac, Catequil , L'Homme-Oiseau, Mama Cocha, Illapa, Coco Mama</em>
…). C'est écrit dans une langue haletante où se mêlent de brèves
phrases et des groupes nominaux. Ainsi renaît une cosmogonie originale,
inouïe… Parmi les milliers de légendes de la création du monde, Rocio
Duran-Barba choisit celle-ci sans doute inconnue des lecteurs
occidentaux. Les attributs de ces divinités sont divers : gardienne de
la fertilité des champs, dieu du soleil, souverain du monde, dieu de
l'oracle, déesse de l'eau, dieu du climat, déesse de la santé : tout
trouve une explication… Rocio Duran-Barba accède à l'ivresse, elle est <em>"immergée dans l'alcool de [son] pays aimé"</em> (p 31). La vision se fait cosmique : <em>"Je respirai l'éternel printemps. Nuits dessinées par la Voie Lactée"</em> (p 37). Le panthéon ne connaît pas de limites ; y règne <em>le jaguar du feu et de la puissance</em>. L'expression <em>Une voix me le dit</em> revient dans ces proses comme un leitmotiv, ce qui contribue à l'aspect <em>étrange lancinant</em> du recueil. Le mystère demeure exprimé par les contradictions, l'unité des contraires : <em>"L'éruption
n'est pas un hécatombe. Ni un problème. Elle était le mystère à
redécouvrir. Explosion-Implosion. Verbe et silence. Feu et glace."</em> (p 88) ; il ne s'agit pas d'expliquer (la science est là pour cela), mais bien d' <em>incarner le mystère de la vie alors que la vie garde toujours son mystère</em>.
Rocio Duran-Barba rappelle au lecteur que la poésie doit aussi porter
les secrets de la vie et des arcanes du monde. Comme elle le dit vers la
fin du livre : <em>"Nos âmes avaient besoin de s'imprégner de mystère
pour grandir-marcher-voler. Pour être un peu plus qu'un brin
d'existence éphémère" </em>(p 89). Voilà qui devait être dit, c'est ce qui fait le charme de ce recueil <em>étrange</em>…</div>
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Marianne WALTER :<em> Les espaliers de neige.</em></div>
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Marianne Walter offre au lecteur un recueil de
poèmes célébrant le monde (et sa beauté), non sans interrogations sur le
mystère de la vie et de ce dernier. Mais c'est la célébration (de la
montagne et de ses paysages) qui domine : et quand le ciel se fissure,
c'est <em>"tel une branche sur le bleu de la gravure"</em> (p 12).
Marianne Walter maîtrise parfaitement l'art de dire les choses en
demi-teintes. La caractéristique de ces poèmes, c'est la délicatesse :
est-ce un effet du souvenir ? de la <em>"fraîcheur de la mémoire"</em> ?
(car le temps n'est pas la simple succession des instants, le présent
coïncide avec le passé, du moins y prend-il ses racines…). Je formulerai
cependant un petit reproche à propos de cette première suite,<em> "Les espaliers de neige"</em>, quant à ponctuation. Page 17, les<strong> :</strong> entre <em>l'enfance</em> et <em>les pêches</em> sont de trop, me semble-t-il, tout comme la <strong>, </strong>entre <em>des crabes</em> et <em>des poissons</em>.
À moins que ce ne soit de simples coquilles? Ou quoi d'autre ? Et ce
n'est qu'un exemple… En tout cas, la cohérence gagnerait à une
uniformisation de la ponctuation : suppression pure et simple de cette
dernière ou restauration intégrale de celle-ci tant la juxtaposition de
poèmes ponctués et de poèmes sans ponctuation est néfaste quant à la
forme du recueil.</div>
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Je pourrais faire la même remarque à propos d'<em>Alpages</em>
mais je ne la ferai pas : si la virgule est présente au sein du poème,
jamais il ne se termine par un point (sauf à la page 81, par un point
d'interrogation). Est-ce un signe d'inachèvement ? Comme si le poème
demandait à toujours à être repris, parce que le poète a sans cesse
oublié une notation ? La poésie se fait volontiers descriptive, tous les
sens de Marianne Walter sont en éveil ; mais aussi poésie
introspective. Sans doute faut-il lire ce recueil comme la trace d'une
déambulation en montagne. Marianne Walter a au moins le mérite de capter
l'ineffable des cimes ; on sent l'amour qu'elle porte à ce paysage, un
amour qui transparaît dans le poème…</div>
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Joyce LUSSU : <em>Inventaire des choses certaines.</em></div>
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Si Marc Porcu est le traducteur de cette
anthologie, Joyce Lussu en est l'auteur des poèmes qui la composent.
Elle est née en 1912 et décéda en 1998 ; elle fut l'épouse d'Émilio
Lussu et la traductrice en italien de Nazim Hilkmet. Si elle traduisit
ce dernier, sa poésie rappelle celle du Turc par sa simplicité et son
côté parlé.</div>
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Ce n'est pas un hasard si elle fut féministe et les premiers poèmes de cette anthologie(extraits de <em>Esclaves et Sbylles</em>) sont consacrés à l'émancipation des femmes. Son poème <em>"Elle s'appelle Nunziata Bartolacci…"</em>
dresse le portrait d'une femme qui vaut mieux que l'état auquel l'ont
réduite le mari et le fils. Joyce Lussu dénonce les maternités
répétitives, le travail domestique, mais ne perd jamais espoir.
Multinationales, armées et religions en prennent pour leur grade ! Joyce
Lussu remarque l'absence de femmes dans ces cénacles qui prétendent
diriger le monde mais elle sait le chemin qui reste à parcourir. Certes,
aujourd'hui que l'émancipation de la femme s'est développée, les femmes
de pouvoir singent les hommes : du chemin reste à faire encore ! Le
vrai clivage ne passe pas par la division sexuelle, il s'appelle <em>lutte des classes</em>.</div>
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Ça continue avec le <em>Bestiaire politique</em>,
des poèmes assez longs qui ressemblent parfois à des fables (d'où le
titre). Joyce Lussu appelle lucidement à la révolution, se révolte
contre le sort fait aux humains : si elle est une optimiste invétérée (<em>"… confiance et espoir dans le possible des évènements"</em>), elle n'en signale pas moins <em>"… un élément / pathétique de participation / lié au bonheur et au malheur des gens / qui deviennent nôtres et nous émeuvent"</em>
(p 63). La lutte est là… Et l'empathie, et la solidarité (Joyce Lussu
sacrifie parfois au didactisme). Et l'espoir… Elle est résolument
moderne, actuelle : même le <em>"désastre écologique"</em> est évoqué (p 91). Sans que rien d'édulcoré ou de douteux ne soit dans le terme <em>désastre</em>…</div>
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Puis vient le<em> Printemps partisan</em>. Le
premier poème de cette section montre le dialogue d'une mère au foyer et
de son fils partisan. Les quatre derniers vers sont parmi les plus
émouvants que j'ai lus. Je ne sais pourquoi, je pense à cet article
retrouvé d'Aragon 1 consacré au roman de Janine Bouissounouse, <em>"Dix pour un"</em>… Peut-être, pour reprendre les mots d'Aragon, parce que c'est<em> le livre d'une femme</em> alors que <em>"Ce premier soleil…" </em>est
le poème d'une femme, d'une mère… La lutte des Partisans est celle pour
un monde meilleur. Joyce Lussu offre une vision où le meilleur côtoie
le pire mais ce n'est nullement désespéré. Même si un peu plus loin,
elle avoue que la mort <em>"pue le sang et la merde" </em>(p 23). <em>"Diogène en Italie"</em>
(pp 125-133) est une allégorie qui rappelle opportunément que la lutte
n'a pas de fin tant l'ignominie des gouvernants est forte et au risque
de sombrer dans le souvenir, le consensus dont il est question page 133
au vers 6 me fait penser à cette définition qui avait cours dans ma
folle jeunesse et qui proclamait que c'était un <em>"con sans sous"</em> (<em>On n'est pas sérieux quand on a dix-sept ans</em> ) ! La lutte ne se termine jamais : <em>"afin que ce crépuscule ne se précipite pas dans la nuit / mais soit la grisaille opaque qui précède l'aurore"</em>.</div>
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L'amour, tel qu'il est traité dans la quatrième partie, <em>"Et puis naturellement il y a l'amour"</em>,
n'est pas exprimé de manière convenue. Il ne s'agit pas de l'amour
désincarné, ni de l'amour entre deux êtres vivant au-dessus du monde.
Mais cet amour se nourrit de l'environnement qu'il soit naturel ou
humain. Joyce Lussu fait preuve de ses talents d'étymologue puisqu'elle
écrit un poème, du premier au dernier vers sur le mariage et ses dérivés
lexicaux. Car à l'époque, il était difficile de considérer l'amour hors
du mariage. Et pourtant que de passions adultérines, hors du Code civil
! Et pourtant, Joyce Lussu termine son poème par une liste des
problèmes auxquelles elle ajoute ceux <em>"de couple et de cohabitation / et demain éducation des enfants"</em>
(p 155). Non sans humour ! Plus que l'amour d'ailleurs, c'est la vie
quotidienne qui est passée au crible, l'adultère n'est pas tu mais tenu à
distance et relativisé. Ce que dit justement Joyce Lussu, c'est que
l'homme n'est pas seulement objet de désir, mais mieux qu'il est le
compagnon de toute une vie, un compagnon de lutte commune…</div>
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Les poèmes de <em>"Mon futur vivant"</em> sont ceux de la sagesse. Joyce Lussu remarque et s'interroge : <em>"mais ces grandes amours pour tous / ne doivent rien ôter / à nos amours pour un"</em> (p 191) ou <em>"… comment fait-on / pour aimer correctement / sans faire un tas d'erreurs"</em> (p 203). Sagesse qui ne va pas sans un certain émerveillement et une tendresse certaine : <em>"je
m'emplis moi aussi / de bonheur / comme quand tu m'as souri la première
fois / pas seulement avec les pétales de rose de ta bouche édentée /
mais aussi avec tes yeux couleur noisette / avec tes joues de pêche et
ton petit nez de patate"</em> (p 205). Tout Joyce Lussu est dans ces
vers et l'on me pardonnera cette longue citation ! Tout Joyce Lussus
mais surtout l'humour et l'amour. Car pour proclamer qu'on aime le genre
humain, il faut d'abord aimer ses proches…</div>
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J'ignore la langue italienne. Il me faut donc
remercier Marc Porcu d'avoir traduit cette anthologie et de m'avoir
ainsi permis de découvrir Joyce Lussu. Je souhaite le même bonheur au
plus grand nombre de lecteurs…</div>
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1. Voir Lucien Wasselin (avec la collaboration de Marie Léger), <em>"Aragon au Pays des mines"</em> (suivi de 18 articles retrouvés d'Aragon). Le Temps des Cerises éditeurs, 2007, pp 163-167.</div>
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Original:<br />
http://www.recoursaupoeme.fr/critiques/fil-de-lecture-autour-d%E2%80%99henri-meschonnic-de-rocio-duran-barba-de-marianne-walter-et-de</div>
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Fundacion RDBhttp://www.blogger.com/profile/09391018712810472679noreply@blogger.com0tag:blogger.com,1999:blog-7970338869623505000.post-39463732380858104272017-10-01T02:50:00.004-07:002017-10-01T02:50:56.332-07:00Miradas cruzadas - Presentación por Katia Murrieta<br />
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<!--StartFragment-->
<div align="center" class="MsoNormal" style="line-height: 200%; text-align: center;">
<b><span lang="ES-EC" style="font-family: "Arial",sans-serif; font-size: 14.0pt; line-height: 200%; mso-ansi-language: ES-EC;">PRESENTACION
LIBRO “MIRADAS CRUZADAS” <o:p></o:p></span></b></div>
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<b><span lang="ES-EC" style="font-family: "Arial",sans-serif; font-size: 14.0pt; line-height: 200%; mso-ansi-language: ES-EC;">DE
ROCIO DURAN BARBA<o:p></o:p></span></b></div>
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<b><span lang="ES-EC" style="font-family: "Arial",sans-serif; font-size: 14.0pt; line-height: 200%; mso-ansi-language: ES-EC;">POR
KATIA MURRIETA<o:p></o:p></span></b></div>
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<span lang="ES-EC" style="font-family: "Arial",sans-serif; font-size: 14.0pt; line-height: 200%; mso-ansi-language: ES-EC;">SE CRUZAN CULTURAS DE DISTINTO LINAJE, LA UNA QUE
VIENE CANTANDO ANTIGUOS TIEMPOS, DESDE EL FONDO DE LAS VASIJAS DE BARRO; LA
OTRA, CON LA MIRADA PERDIDA EN SU HISTORIA DE VIEJOS PENSADORES, FILOSOFOS Y
CONQUISTADORES QUE, EN SU MOMENTO, CONVULSIONARON EL MUNDO Y ERIGIERON UNA
EUROPA A SU MANERA, COMPUESTA, HOY, DE RETAZOS DEJADOS POR LAS GUERRAS. AQUÍ SE
LUCHÓ CON ARCOS Y FLECHAS. Y VENCIERON LOS EUROPEOS. ENTONCES, YA NO SOMOS TAN
DISTINTOS. EN ESTE LIBRO, SOMOS IGUALES. YO TE ENTREGO MIS FORMAS Y COLORES. TU
ME DAS LA HERMOSURA DEL IDIOMA. YO TE
DOY MIS PINCELES Y MIS LIENZOS. TÚ ME PROPORCIONAS TU POESÍA. YO DESCRIBO MIS HONDOS
SENTIMIENTOS. TU ME LOS DEVUELVES CON EL VERBO. YO TE OFREZCO MIS BRILLANTES
ARCOIRIS. TU HURGAS EN EL VIENTRE MISMO DE MI CUERPO. YO TE DOY LAS RAICES
TORCIDAS, CON OLOR A INCIENSO, DE MI PUEBLO. TU LE PONES EL AROMA DEL VERSO. Y
ASI, VAMOS ANDANDO LOS CAMINOS, INTERCAMBIANDO NUESTRAS MIRADAS, CRUZANDO LOS
PUENTES QUE DEVORAN LOS MUROS DE DOS MUNDOS QUE SE ENTIENDEN, QUE SE ENLAZAN,
SE ENTRELAZAN….<o:p></o:p></span></div>
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<span lang="ES-EC" style="font-family: "Arial",sans-serif; font-size: 14.0pt; line-height: 200%; mso-ansi-language: ES-EC;">ESO ES LO QUE PERCIBO AL LEER Y RELEER ESTOS POEMAS
QUE SE CRUZAN CON FORMAS Y COLORES, DONDE LA BELLEZA NO ENCUENTRA SU PUNTO
FINAL. <o:p></o:p></span></div>
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<span lang="ES-EC" style="font-family: "Arial",sans-serif; font-size: 14.0pt; line-height: 200%; mso-ansi-language: ES-EC;">ES UNA HERMOSA CONTRIBUCION, INUSUAL, QUE HACE LA
PINTORA, POETA, Y ESCRITORA ROCIO DURAN-BARBA, QUIEN HA SIDO GALARDONADA EN
MULTIPLES OCASIONES POR SU EXCEPCIONAL FORMA DE ESCRIBIR. <o:p></o:p></span></div>
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<span lang="ES-EC" style="font-family: "Arial",sans-serif; font-size: 14.0pt; line-height: 200%; mso-ansi-language: ES-EC;">GRACIAS POR ESTE SORPRESIVO MIX, ECUADOR Y FRANCIA,
FRANCIA Y ECUADOR. EL ALMA DE LOS ARTISTAS SE HERMANA EN PLUMA Y COLORES. POR
LO QUE LE PREGUNTO: DE DÓNDE SALIÓ EL EMBRIÓN? CÓMO SE GESTÓ ESTE CRUCE DE
MIRADAS?<o:p></o:p></span></div>
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<span lang="ES-EC" style="font-family: "Arial",sans-serif; font-size: 14.0pt; line-height: 200%; mso-ansi-language: ES-EC;">…..<o:p></o:p></span></div>
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<span lang="ES-EC" style="font-family: "Arial",sans-serif; font-size: 14.0pt; line-height: 200%; mso-ansi-language: ES-EC;">Y, EN ESTE MOMENTO, MUCHOS, COMO YO, SE PREGUNTARÁN,
CÓMO SE PRODUJO LA COINCIDENCIA ENTRE EL PINTOR Y EL POETA? <o:p></o:p></span></div>
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<span lang="ES-EC" style="font-family: "Arial",sans-serif; font-size: 14.0pt; line-height: 200%; mso-ansi-language: ES-EC;">ALIANZA FRANCESA DE GUAYAQUIL<o:p></o:p></span></div>
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<span lang="ES-EC" style="font-family: "Arial",sans-serif; font-size: 14.0pt; line-height: 200%; mso-ansi-language: ES-EC;">9 DE SEPT DE 2017<o:p></o:p></span></div>
<!--EndFragment-->Fundacion RDBhttp://www.blogger.com/profile/09391018712810472679noreply@blogger.com0tag:blogger.com,1999:blog-7970338869623505000.post-17557454943197111782017-10-01T02:49:00.000-07:002017-10-01T02:49:25.436-07:00Miradas cruzadas - Presentación en Quito<div class="separator" style="clear: both; text-align: center;">
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<br />Fundacion RDBhttp://www.blogger.com/profile/09391018712810472679noreply@blogger.com0tag:blogger.com,1999:blog-7970338869623505000.post-27163110249433051132017-09-29T07:25:00.002-07:002017-09-29T07:25:26.316-07:00Miradas Cruzadas _ Entrevista por Ramiro Diez (audio)<div class="separator" style="clear: both; text-align: center;">
<br /><iframe width="320" height="266" class="YOUTUBE-iframe-video" data-thumbnail-src="https://i.ytimg.com/vi/YWukcv4Ts3A/0.jpg" src="https://www.youtube.com/embed/YWukcv4Ts3A?feature=player_embedded" frameborder="0" allowfullscreen></iframe></div>
Fundacion RDBhttp://www.blogger.com/profile/09391018712810472679noreply@blogger.com0tag:blogger.com,1999:blog-7970338869623505000.post-20204880941493577282017-09-29T02:24:00.001-07:002017-09-29T02:24:29.657-07:00Miradas cruzadas - Intervención del Embajador Carlos Játiva<div align="center" class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; tab-stops: 0cm 2.0cm 425.2pt; text-align: center;">
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<b style="mso-bidi-font-weight: normal;"><span lang="ES" style="mso-bidi-font-family: Arial;">INTRODUCCIÓN DEL EMBAJADOR CARLOS JÁTIVA, SUBSECRETARIO DE AMERICA DEL
NORTE Y EUROPA, EN LA VELADA DE PRESENTACIÓN DEL LIBRO “REGARDS CROISÉS,
MIRADAS CRUZADAS”, <o:p></o:p></span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span lang="ES" style="mso-bidi-font-family: Arial;">DE ROCÍO DURÁN BARBA EN EL CENTRO DE ARTE CONTEMPORÁNEO<o:p></o:p></span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span lang="ES" style="mso-bidi-font-family: Arial;">QUITO, 6 de septiembre de 2017<o:p></o:p></span></b></div>
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<br /></div>
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<br /></div>
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<span lang="ES" style="font-size: 14.0pt; mso-bidi-font-family: Arial;">Señoras y señores:<o:p></o:p></span></div>
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<br /></div>
<div class="MsoNormal" style="line-height: 112%; margin-bottom: .0001pt; margin-bottom: 0cm; tab-stops: 0cm 2.0cm 425.2pt; text-align: justify;">
<span lang="ES" style="font-family: "Times New Roman",serif; font-size: 14.0pt; line-height: 112%;">Tengo
la especial satisfacción de abrir esta velada, que promete ser amena y
enriquecedora, <span style="mso-spacerun: yes;"> </span>porque a ella concurre una
gran amiga, Rocío Durán Barba, junto con prestigiosos pintores y una selecta audiencia.
Artista multifacética, Rocío maneja con destreza o, mejor dicho, hace malabares
con las palabras y con el pincel, con los que forja su espléndida creación escrita
y pictórica. Saludo su reconocido talento, así como la perspectiva internacional
de su trayectoria que sigo con interés, como muchos aquí desde hace ya varios años.
<o:p></o:p></span></div>
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<br /></div>
<div class="MsoNormal" style="line-height: 112%; margin-bottom: .0001pt; margin-bottom: 0cm; tab-stops: 0cm 2.0cm 425.2pt; text-align: justify;">
<span lang="ES" style="font-family: "Times New Roman",serif; font-size: 14.0pt; line-height: 112%;">Rocío
construye su universo artístico de su convivencia entre el Ecuador y Francia,
así como del ejercicio de la pintura, la literatura, pero también del periodismo.
Autora de más de una treintena de publicaciones de poesía, ensayo y novela, generalmente
adornadas de sus pinturas, ha contribuido con más de setecientos artículos de
opinión para periódicos y revistas de Latinoamérica y Europa. <o:p></o:p></span></div>
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<br /></div>
<div class="MsoNormal" style="line-height: 112%; margin-bottom: .0001pt; margin-bottom: 0cm; tab-stops: 0cm 2.0cm 425.2pt; text-align: justify;">
<span lang="ES" style="font-family: "Times New Roman",serif; font-size: 14.0pt; line-height: 112%;">En
sus trabajos, la imagen visual, el lenguaje poético y la escritura son
complementarios, portador cada uno de un mensaje que le es propio y en el que se
transluce su identidad, genuinamente ecuatoriana. Evoluciona en un entorno en
el que se conjugan armoniosamente lo real y lo imaginario, la percepción y la
emoción. En el proceso crea un mundo, conformado por sus experiencias y el amor
que profesa por su país de origen y por aquél de su adopción. <o:p></o:p></span></div>
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<br /></div>
<div class="MsoNormal" style="line-height: 112%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<span lang="ES" style="font-family: "Times New Roman",serif; font-size: 14.0pt; line-height: 112%;">Embajadora cultural de la UNESCO, Rocío
Durán Barba hace esto y mucho más. Dirige una prestigiosa Fundación epónima que
invita a escritores y artistas nacionales a Europa para que allí se puedan
apreciar y diseminar las creaciones contemporáneas de la rica y variada cultura
ecuatoriana.<o:p></o:p></span></div>
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<br /></div>
<div class="MsoNormal" style="line-height: 112%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<span lang="ES" style="font-family: "Times New Roman",serif; font-size: 14.0pt; line-height: 112%;">Pondero el hecho de la traducción de la
mayoría de sus escritos al francés, muchos realizados nada menos que por ese
gran hispanista que fue Claude Couffon, y que ha permitido abrirlos a la severa
mas elogiosa crítica del mundo francófono, como yo mismo puedo rendir
testimonio por los años en los que me cupo el honor de servir a nuestro País en
Francia. <span style="mso-spacerun: yes;"> </span><o:p></o:p></span></div>
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<br /></div>
<div class="MsoNormal" style="line-height: 112%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<span lang="ES" style="font-family: "Times New Roman",serif; font-size: 14.0pt; line-height: 112%;">Tuve el gusto de proponer su nombre
como la primera mujer ecuatoriana que fue discernida en mayo de 2014 la medalla
del Senado de la República francesa, en reconocimiento de su obra literaria,
artística y cultural. Se trató de un nuevo galardón de los muchos que ha
recibido, como la condecoración de la Academia Bolivariana de América Manuela Sáenz,
Libertadora del Libertador, </span><span lang="ES" style="font-family: "Times New Roman",serif; font-size: 14.0pt; line-height: 112%; mso-bidi-font-style: italic; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ES;">en el
Grado Internacional de Primera Clase</span><span lang="ES" style="font-family: "Times New Roman",serif; font-size: 14.0pt; line-height: 112%; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ES;">.<o:p></o:p></span></div>
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<br /></div>
<div class="MsoNormal" style="line-height: 112%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<span lang="ES" style="font-family: "Times New Roman",serif; font-size: 14.0pt; line-height: 112%;">Nada más natural, entonces, que nuestra
autora haya concebido esta nueva contribución, bajo el sugestivo título de
“Miradas Cruzadas –Regards Croisés- pintores ecuatorianos y poetas franceses”,
que se presenta esta noche, tal como se hizo el 2 de diciembre pasado en la renombrada
Casa de la América Latina en París. <o:p></o:p></span></div>
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<br /></div>
<div class="MsoNormal" style="line-height: 112%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<span lang="ES" style="font-family: "Times New Roman",serif; font-size: 14.0pt; line-height: 112%;">Este libro resulta de la propuesta de
tender un nuevo puente, de unión y entendimiento, entre el Ecuador y Francia.
Doce pintores ecuatorianos, la mayoría que nos honra con su presencia esta
noche, comparten el lenguaje de su tierra con sus composiciones multicolores, mientras
igual número de poetas franceses escribe versos inspirados en el arte pictórico
de nuestros compatriotas, vistos a través del prisma de su propia concepción. <o:p></o:p></span></div>
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<br /></div>
<div class="MsoNormal" style="line-height: 112%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<span lang="ES" style="font-family: "Times New Roman",serif; font-size: 14.0pt; line-height: 112%;">El resultado es un ilustrativo encuentro
entre dos culturas que ya Rocío promovió con su obra <i style="mso-bidi-font-style: normal;">Ecuador</i>, que nació como una respuesta altiva al emblemático libro de
Henri Michaux, publicado bajo el mismo título en 1928, para restablecer la
realidad de nuestro País, un tanto simplificada en la mirada del escritor
belga-francés.<o:p></o:p></span></div>
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<br /></div>
<div class="MsoNormal" style="line-height: 112%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<span lang="ES" style="font-family: "Times New Roman",serif; font-size: 14.0pt; line-height: 112%;">A través de “Miradas Cruzadas”, Rocío
nos invita a difundir la alquimia que se desprende de la fusión entre la
escritura poética y el arte pictórico, y se inscribe en la corriente más
amplia, bicentenaria, de hacer de la cultura el hilo conductor de nuestros
vínculos con Francia, que se originaron con la misión geodésica del siglo
XVIII.<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: 112%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="line-height: 112%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<span lang="es-419" style="font-family: "Times New Roman",serif; font-size: 14.0pt; line-height: 112%; mso-ansi-language: #580A; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ES;">Su trabajo se enmarca de lleno
en el fecundo contexto de estos intercambios que se han nutrido de aportes
recíprocos, de modo que entre ambas naciones se ha instaurado, al pasar de los
años, un diálogo fértil en las distintas disciplinas de las bellas artes como son
la pintura, el teatro, la danza, la música y la literatura. <o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: 112%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="line-height: 112%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<span lang="es-419" style="font-family: "Times New Roman",serif; font-size: 14.0pt; line-height: 112%; mso-ansi-language: #580A; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ES;">En este último ámbito,
numerosos son los representantes de las letras ecuatorianas, cuya obra ha
tenido como fuente de inspiración y muchas veces como escenario de su
producción a Francia. Larga es la lista que va de César Dávila Andrade a Jorge
Carrera, pasando por Juan Montalvo, Alfredo Gangotena, entre tantos otros, y en
la que figuran en la actualidad escritores tan prolíficos como Rocío Durán
Barba.<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: 112%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="line-height: 112%; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<span lang="es-419" style="font-family: "Times New Roman",serif; font-size: 14.0pt; line-height: 112%; mso-ansi-language: #580A; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ES;">N</span><span lang="ES" style="font-family: "Times New Roman",serif; font-size: 14.0pt; line-height: 112%; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ES;">o me extiendo
más y les propongo descubrir, juntos, esta maravillosa aventura de <i style="mso-bidi-font-style: normal;">los “Regards croisés”, las “Miradas cruzadas”</i>,
<span style="mso-spacerun: yes;"> </span>de pintores ecuatorianos de renombre y
poetas franceses, fundidos en una mágica simbiosis de color y escritura. <o:p></o:p></span></div>
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Code"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Definition"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Keyboard"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Preformatted"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Variable"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal Table"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="annotation subject"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="No List"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" Priority="39" Name="Table Grid"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Level 9"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"/>
<w:LsdException Locked="false" Priority="1" QFormat="true" Name="No Spacing"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading"/>
<w:LsdException Locked="false" Priority="61" Name="Light List"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Revision"/>
<w:LsdException Locked="false" Priority="34" QFormat="true"
Name="List Paragraph"/>
<w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"/>
<w:LsdException Locked="false" Priority="30" QFormat="true"
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<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 1"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 1"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 2"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 2"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 2"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 3"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 3"/>
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<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 3"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 3"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 3"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 3"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 4"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 4"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 4"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 4"/>
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<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 4"/>
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<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 4"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 4"/>
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<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 5"/>
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<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 5"/>
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<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 5"/>
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<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 5"/>
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<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"/>
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<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 6"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 6"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"/>
<w:LsdException Locked="false" Priority="19" QFormat="true"
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<w:LsdException Locked="false" Priority="21" QFormat="true"
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<w:LsdException Locked="false" Priority="31" QFormat="true"
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<w:LsdException Locked="false" Priority="32" QFormat="true"
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<w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"/>
<w:LsdException Locked="false" Priority="37" SemiHidden="true"
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<w:LsdException Locked="false" Priority="39" SemiHidden="true"
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<w:LsdException Locked="false" Priority="41" Name="Plain Table 1"/>
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<w:LsdException Locked="false" Priority="47" Name="Grid Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
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<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 1"/>
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<w:LsdException Locked="false" Priority="52"
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<w:LsdException Locked="false" Priority="46"
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<w:LsdException Locked="false" Priority="46"
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<w:LsdException Locked="false" Priority="46"
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<w:LsdException Locked="false" Priority="52"
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<w:LsdException Locked="false" Priority="46"
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<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 5"/>
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<w:LsdException Locked="false" Priority="52"
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<w:LsdException Locked="false" Priority="46"
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<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="46" Name="List Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="List Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="List Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
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Name="List Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
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<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 3"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 3"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 4"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 4"/>
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<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 4"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 4"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 5"/>
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<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 5"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 5"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 5"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 6"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 6"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 6"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 6"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 6"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Mention"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Smart Hyperlink"/>
</w:LatentStyles>
</xml><![endif]-->
<!--[if gte mso 10]>
<style>
/* Style Definitions */
table.MsoNormalTable
{mso-style-name:"Tabla normal";
mso-tstyle-rowband-size:0;
mso-tstyle-colband-size:0;
mso-style-noshow:yes;
mso-style-priority:99;
mso-style-parent:"";
mso-padding-alt:0cm 5.4pt 0cm 5.4pt;
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Fundacion RDBhttp://www.blogger.com/profile/09391018712810472679noreply@blogger.com0tag:blogger.com,1999:blog-7970338869623505000.post-16905455638738699612017-07-10T01:40:00.001-07:002017-07-10T07:07:05.893-07:00PRIX OVIDE 2017<br />
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<b>Présentation de Rocío Durán-Barba pour le Prix Ovide 2017</b></div>
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<b>par Alice-Catherine Carls*</b></div>
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De naissance équatorienne et de nationalité équatorienne et française, Rocío Durán-Barba partage son temps entre ses voyages à travers le monde, et ses lieux de vie, Genève, capitale de la diplomatie, Paris, capitale des arts, et Quito, sa capitale matrice. Trois lieux où elle peut non seulement se ressourcer, mais diffuser leçons, expériences, et plaisirs artistiques et littéraires.</div>
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Juriste, professeur, ambassadrice, poète, romancière, essayiste, attachée culturelle, reporter pour la télévision, artiste-peintre, Rocío Durán-Barba a fait des études poussées dans quatre pays: l’Équateur, les États-Unis, la France, et l’Autriche. Elle a à son actif trois doctorats de droit, l’un de l’Université Catholique de l’Équateur, le second en études internationales et diplomatie de l’Université de Vienne, et un troisième en droit international de la Sorbonne.</div>
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La productivité de Rocío Durán-Barba est époustouflante. Elle a publié plus de quarante livres, 700 chroniques d’opinion, et de nombreux articles. Ses œuvres ont paru sous forme de volume, en revues, dans la presse quotidienne, et à la télévision. Membre de plusieurs groupes de presse, de poésie et de salons littéraires en France, Suisse, Équateur, Argentine, et Bolivie, elle participe à des festivals internationaux et organise des rencontres et des récitals poétiques musicaux. Pour elle engagement et créativité sont synonymes. Elle œuvre pour la communauté qu’elle atteint par des réseaux multiples. Elle dirige une Fondation culturelle en Équateur et une Association poétique en France et est Ambassadrice Universelle de la Culture nommée par l’Unesco. Pas de tour d’ivoire pour cette femme de lettres. Madame l’Ambassadrice est passeuse de culture entre les nations et les spécialités.</div>
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Les trois œuvres proposées pour le Prix Ovide qui récompense un auteur étranger traduit en français, ont paru en 2016. Elles symbolisent la richesse des registres d’écriture de Rocío Durán Barba. Il s’agit d’<i>Équateur, </i>un roman, écrit directement en français, de <i>Regards croisés, </i>un essai sur les peintres équatoriens et les poètes français, et d’un recueil de poésie, <i>Une voix me le dit, </i>écrit directement en français<i>. </i>Ces trois œuvres mettent en rapport des regards multiples sur une même réalité. Elles sont une rencontre entre les cultures équatorienne et française au niveau des arts plastiques et du langage, mais aussi et surtout une véritable décolonisation culturelle dont le but n’est pas seulement la revalorisation de la culture équatorienne, mais le décapage de la culture occidentale.<br />
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Cette démarche s’inscrit dans un programme ambitieux qui nous invite à acquérir une nouvelle conscience culturelle véritablement mondiale. L’écriture de Rocío Durán-Barba efface les frontières entre les genres. Elle utilise roman, poésie, reportage, critique et peinture pour créer – acte indivisible, acte de vie qui libère l’âme et rend sa spontanéité à l’acte de création. On pourrait ainsi voir dans ses œuvres un “musée de l’innocence” tel que le décrit Orhan Pamuk.</div>
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Cette conception s’appuie sur des contrepoints multiples. En contrepoint du monde actuel aveugle et pointu et du mondialisme technologique aliénant, Rocío Durán Barba dévoile des rhizomes, zigzags souterrains de l’Histoire qui forment un terreau parfois meurtrier, parfois créatif, toujours nourricier. Ainsi dans son roman <i>Ici ou nulle part </i>(traduit en français par Claude Couffon) l’auteur, fraîchement débarquée à Paris, se laisse emporter par le fleuve des voix disparues que lui révèle la Ville. Au cours d’un vaste dialogue-promenade avec et dans Paris, l’auteur met en scène un combat épique entre ses impressions et celles que la Ville tente de lui imposer. L’identité, nous le découvrons avec la jeune promeneuse, n’est possible qu’à travers l’ouverture sur une nouvelle façon de voir – ce qui représente une importante prise de position existentielle.</div>
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Un autre contrepoint, peut-être plus classique, montre la complémentarité des cultures occidentales et non-occidentales. Ainsi au regard torturé de Michaux visitant l’Amérique latine en 1929 à la recherche de lui-même, Rocío Durán Barba répond, dans son roman <i>Équateur</i>, par la joie et la solidité profonde de sa culture natale. La présentation à Paris, le 6 octobre, 2016, de ce roman, était en partie lecture, en partie performance avec musique et danse, en partie tableau vivant. Elle faisait entrer le lecteur de plain-pied dans un univers non-linéaire où se chevauchaient les voix, la logique et le merveilleux, les mots et la geste, les couleurs et les sons, créant une farandole du re-commencement du monde.</div>
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Rocío Durán Barba écrit en espagnol et en français. Elle a eu plusieurs traducteurs et traductrices, maintenant elle écrit directement en français. Ceux de langue française sont Claude Couffon et Nathalie Lalisse-Delcourt, l’équipe des ateliers de traduction de la Maison Internationale des Poètes et des Écrivains de Saint Malo, ainsi que Annie Cueva, Estelle Murray, et Martine Guichard. Quel merveilleux chantier d’études sur les techniques et les registres de la traduction!</div>
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Rocío Durán Barba a également été traduite en anglais par Francesca Piana, en arabe par Ahcene Mariche, en kabile par Idir Bellali, en occitan par Guy Mathieu, en slovène par l’équipe de traducteurs du Pen Club de Bled... Sa présence européenne est liée aux cultures méditerranéennes du désert polyglottes, passeuses de culture, et unies à la francophonie par l’Histoire.</div>
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De nombreuses distinctions ont récompensé Rocío Durán Barba tant en Amérique latine qu’en France, où elle reçu la Médaille de la Haute Assemblée du Sénat et la Médaille de Vermeil décernée par la Société Académique Arts- Sciences-Lettres de Paris. Le Cénacle Européen de Poésie, Arts, et Lettres, est très heureux et très honoré de pouvoir lui décerner aujourd’hui son Prix Ovide pour 2017.</div>
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Paris, 10 juin 2017</div>
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<span style="font: 12.0px 'Times New Roman';"><b>*Alice-Catherine Carls (</b></span>Doctorat d’Histoire des Relations Internationales de Paris I, mastère de langue et civilisation allemande, License de polonais) est Tom Elam Distinguished Professor of History à l’Université de Tennessee à Martin. Elle collabore régulièrement aux revues <i>Public Justice Report</i>, <i>Poésie Première</i>, <i>Le Journal des Poètes, World Literature Today</i>, et <i>Recours au Poème</i>. Elle partage ses activités entre la recherche historique, les traductions littéraires (du polonais et de l’anglais américain en français), et les articles de critique littéraire. Elle a été publiée en polonais, allemand, anglais, et français ; en Hongrie, Pologne, Allemagne, Suisse, France, Belgique, et aux Etats-Unis.</div>
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<a href="http://lahora.com.ec/index.php/noticias/show/1102066629/-1/Dur%C3%A1n-Barba_recibe_Premio_Ovidio.html" target="_blank">ARTICLE : QUOTIDIEN LA HORA (Quito, Équateur) à propos du PRIX OVIDE 2017</a></div>
Fundacion RDBhttp://www.blogger.com/profile/09391018712810472679noreply@blogger.com0tag:blogger.com,1999:blog-7970338869623505000.post-1040982434704838012017-06-03T03:19:00.000-07:002017-06-03T03:19:10.493-07:00PAROLE ÉMANCIPÉE: Lancement, présentations, photos<div class="separator" style="clear: both; text-align: center;">
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<br />Fundacion RDBhttp://www.blogger.com/profile/09391018712810472679noreply@blogger.com0tag:blogger.com,1999:blog-7970338869623505000.post-13388047119474569962017-06-02T04:57:00.002-07:002017-06-02T04:57:45.776-07:00Recension revue "Les Hommes sans Epaules"<div class="separator" style="clear: both; text-align: center;">
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<br />Fundacion RDBhttp://www.blogger.com/profile/09391018712810472679noreply@blogger.com0tag:blogger.com,1999:blog-7970338869623505000.post-45511462859587397272017-05-30T00:53:00.003-07:002017-05-30T00:53:57.411-07:00Presentación: Embajador Galo Mora Witt<div class="separator" style="clear: both; text-align: center;">
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<br />Fundacion RDBhttp://www.blogger.com/profile/09391018712810472679noreply@blogger.com0tag:blogger.com,1999:blog-7970338869623505000.post-70472886875187575662017-05-30T00:52:00.002-07:002017-06-02T09:23:14.991-07:00Parallèles croisées par Germain Roesz<div class="separator" style="clear: both; text-align: center;">
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<br />Fundacion RDBhttp://www.blogger.com/profile/09391018712810472679noreply@blogger.com0tag:blogger.com,1999:blog-7970338869623505000.post-62722572004186349542017-05-27T02:28:00.002-07:002017-05-27T02:28:32.901-07:00Poeta de la Libertad - Prólogo<div class="separator" style="clear: both; text-align: center;">
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<br />Fundacion RDBhttp://www.blogger.com/profile/09391018712810472679noreply@blogger.com0tag:blogger.com,1999:blog-7970338869623505000.post-14359302258802447972017-04-14T02:04:00.000-07:002017-04-14T02:04:00.813-07:00Lettres en vol - Soirée Mars 2017<div class="separator" style="clear: both; text-align: center;">
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<br />Fundacion RDBhttp://www.blogger.com/profile/09391018712810472679noreply@blogger.com0tag:blogger.com,1999:blog-7970338869623505000.post-79021300875200678002017-04-13T10:07:00.001-07:002017-04-14T02:02:21.013-07:00Escritora ecuatoriana gana premio en Francia - Una voz me lo dijo<div class="separator" style="clear: both; text-align: center;">
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<br />Fundacion RDBhttp://www.blogger.com/profile/09391018712810472679noreply@blogger.com0tag:blogger.com,1999:blog-7970338869623505000.post-12797871013656398692017-04-13T09:59:00.004-07:002017-04-13T09:59:36.240-07:00Article : revue l’Intranquille - UNE VOIX ME LE DIT<div class="separator" style="clear: both; text-align: center;">
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<br />Fundacion RDBhttp://www.blogger.com/profile/09391018712810472679noreply@blogger.com0tag:blogger.com,1999:blog-7970338869623505000.post-9272455251314959822017-04-13T09:58:00.004-07:002017-04-13T09:58:55.208-07:00Intervention d’Anne-Marie Vergnes, remise du grand Prix de la Ville de Saint-Orens - UNE VOIX ME LE DIT<div class="separator" style="clear: both; text-align: center;">
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<br />Fundacion RDBhttp://www.blogger.com/profile/09391018712810472679noreply@blogger.com0tag:blogger.com,1999:blog-7970338869623505000.post-80369273759835214732017-04-13T09:57:00.002-07:002017-04-13T09:57:46.326-07:00Préface par Claudine Bohi - UNE VOIX ME LE DIT<div class="separator" style="clear: both; text-align: center;">
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Fundacion RDBhttp://www.blogger.com/profile/09391018712810472679noreply@blogger.com0tag:blogger.com,1999:blog-7970338869623505000.post-85581674872206676092017-03-03T04:40:00.000-08:002017-03-03T04:40:36.252-08:00TOUT-MONDE<div class="separator" style="clear: both; text-align: center;">
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<b><span lang="FR" style="color: blue; font-family: verdana; font-size: 14pt;">« TOUT-MONDE »<span></span></span></b></div>
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<b><span lang="FR" style="color: blue; font-family: verdana;">invite au
vernissage de son programme <span></span></span></b></div>
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<b><span lang="FR" style="color: blue; font-family: verdana;">dans le cadre du <span></span></span></b></div>
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<b><span lang="FR" style="color: blue; font-family: verdana;">PRINTEMPS DES
POÈTES 2017<span></span></span></b></div>
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<b><span lang="FR" style="color: #1a1a1a; font-family: verdana;">MARDI 8 MARS à 18H<span></span></span></b></div>
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<span lang="FR" style="font-family: verdana;"><span style="color: black;">Avec les
poètes : <span></span></span></span></div>
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<span lang="FR" style="font-family: verdana;"><span style="color: black;">Rocío
Durán-Barba <span></span></span></span></div>
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<span lang="FR" style="font-family: verdana;"><span style="color: black;">Gérald
Bloncourt <span></span></span></span></div>
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<span lang="FR" style="font-family: verdana;"><span style="color: black;">Alain Pizerra
<span></span></span></span></div>
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<span lang="FR" style="font-family: verdana;"><span style="color: black;">La lectrice
Yannick Charon,<span></span></span></span></div>
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<span lang="FR" style="font-family: verdana;"><span style="color: black;">et la
participation de Yasuyo Iso, chant, lyra et percussions.</span><span style="color: #1a1a1a;"><span></span></span></span></div>
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<b><span lang="FR" style="color: blue; font-family: verdana;">Au programme du vernissage, <span></span></span></b></div>
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<b><span lang="FR" style="font-family: verdana;"><span style="color: black;">la présentation d’un livre d’artiste <span></span></span></span></b></div>
<div align="center" class="MsoNormal" style="border: none; padding: 0cm; text-align: center;">
<b><span lang="FR" style="font-family: verdana;"><span style="color: black;">et d’un recueil de poèmes de </span><span style="color: #073763;"><span></span></span></span></b></div>
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<b><span lang="FR" style="color: blue; font-family: verdana;">ROCIO DURAN-BARBA, <span></span></span></b></div>
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<b><i><span lang="FR" style="color: blue; font-family: 'apple chancery'; font-size: 16pt;">Parole
émancipée <span></span></span></i></b></div>
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<span lang="FR" style="font-family: verdana; font-size: 10pt;"><span style="color: black;">(Editions Signum)</span><span style="color: #073763;"><span></span></span></span></div>
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<b><span lang="FR" style="font-family: verdana;"><span style="color: black;">avec les encres de </span><span style="color: #073763;"><span></span></span></span></b></div>
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<b><span lang="FR" style="color: blue; font-family: verdana;">DANIELLE LOISEL</span></b><b><span lang="FR" style="color: #1a1a1a; font-family: verdana; font-size: 8pt;"><span></span></span></b></div>
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<b><span lang="FR" style="font-family: verdana;"><span style="color: black;">ADRESSE<span></span></span></span></b></div>
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<span lang="FR" style="font-family: verdana;"><span style="color: black;">126, rue de
Charonne 75011 Paris<span></span></span></span></div>
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<span lang="FR" style="font-family: verdana; font-size: 10pt;"><span style="color: black;">Mº Charonne</span><span style="color: #1a1a1a;"><span></span></span></span></div>
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Fundacion RDBhttp://www.blogger.com/profile/09391018712810472679noreply@blogger.com0tag:blogger.com,1999:blog-7970338869623505000.post-43950508128786333472017-03-03T04:35:00.004-08:002017-03-03T04:35:40.151-08:00Novedades desde París<br />
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<b><span style="color: blue; font-family: verdana;">EL P.E.N. CLUB FRANCES <span></span></span></b></div>
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<b><span style="font-family: verdana;">(</span></b><b><span style="color: #1a1a1a; font-family: verdana;">Poetas,
ensayistas, novelistas) <span></span></span></b></div>
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<b><span style="color: #1a1a1a; font-family: verdana;">organizó tres “jornadas estrellas” con motivo de la celebración
de sus 90 años de existencia.<span></span></span></b></div>
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<b><u><span style="color: blue; font-family: verdana;">Defensa e
ilustración de la lengua <span></span></span></u></b></div>
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<b><u><span style="color: blue; font-family: verdana;">y la literatura
francesas.<span></span></span></u></b></div>
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<span style="font-family: verdana;">Mesa redonda dirigida por</span><span style="font-family: verdana;"><span></span></span></div>
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<b><span style="color: #1a1a1a; font-family: verdana;">Sylvestre
Clancier, con la intervención de: </span></b><span style="color: #1a1a1a; font-family: verdana;"><span></span></span></div>
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<b><span style="color: blue; font-family: verdana;"> Linda Maria Baros, Andréas Becker, Fulvio Caccia, Seyhmus Dagtekin, Rocío
Durán-Barba, Edvard Kovac,
Patricia Nolan, Nohad Salameh,
Shumona Sinha.</span></b><span style="color: #1a1a1a; font-family: verdana;"><span></span></span></div>
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<b><span style="color: blue; font-family: verdana;"><br /></span></b></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj5i7BF8Gd2vG4JgpySFw-wI5GlCnF6mKDw03LN1v0kBMwEF3mr3bwdibUEL5zZwE5HesNUOuAa2piKVnF6Ioem3W5oEmbB9Y68G3s-uDegy8L-aaUiujZdeFi1HVtS102Zh7ObrbT8UczW/s1600/Colloque-Pen-foto.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="259" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj5i7BF8Gd2vG4JgpySFw-wI5GlCnF6mKDw03LN1v0kBMwEF3mr3bwdibUEL5zZwE5HesNUOuAa2piKVnF6Ioem3W5oEmbB9Y68G3s-uDegy8L-aaUiujZdeFi1HVtS102Zh7ObrbT8UczW/s320/Colloque-Pen-foto.jpg" width="320" /></a></div>
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<span style="font-family: verdana;">Leer la intervención de Rocío Durán-Barba, aquí:<span></span></span></div>
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<span style="color: blue; font-family: verdana;"><a data-saferedirecturl="https://www.google.com/url?hl=es&q=http://fundacionrocioduran-barba.blogspot.fr/2017/02/pen-colloque.html&source=gmail&ust=1488630568590000&usg=AFQjCNH_kanNU9M4ur6U0rJjc4MMPKRz-w" href="http://fundacionrocioduran-barba.blogspot.fr/2017/02/pen-colloque.html" rel="noreferrer" target="_blank">http://fundacionrocioduran-bar<wbr></wbr>ba.blogspot.fr/2017/02/pen-col<wbr></wbr>loque.html</a><span></span></span></div>
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<b><span lang="ES" style="color: #16191f; font-family: verdana;">Rocío Durán-Barba organiza un <span></span></span></b></div>
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<b><span lang="ES" style="color: blue; font-family: verdana;">SALÓN LITERARIO<span></span></span></b></div>
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<b><span lang="ES" style="color: #16191f; font-family: verdana;">con el fin de reunir escritores y artistas.<span></span></span></b></div>
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<span lang="ES" style="color: #16191f; font-family: verdana;">Los invitados presentarán sus obras más recientes,
compartirán sus experiencia y discutirán sobre la actualidad cultural. En el
primer encuentro participaron: <span></span></span></div>
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<span lang="ES" style="color: #16191f; font-family: verdana;">Claudine Bertrand, France Burghelle Rey, Ira
Feloukatzi, Cécile Oumhani, Éric Dubois, Michel Leroy.<span></span></span></div>
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<b><span style="font-family: verdana;">La editorial La Feuille de
Thé<span></span></span></b></div>
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<b><span style="font-family: verdana;"> presentó el poemario <span></span></span></b></div>
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<b><i><span style="color: blue; font-family: verdana;">UNE VOIX ME LE DIT</span></i></b><b><span style="color: blue; font-family: verdana;"> (<i>Una voz me lo dijo</i>) <span></span></span></b></div>
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<b><span style="font-family: verdana;">de Rocío Durán-Barba. <span></span></span></b></div>
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<b><span style="color: blue; font-family: verdana;">LA CAUSE LITTERAIRE
<span></span></span></b></div>
<div align="center" class="MsoNormal" style="border: none; padding: 0cm; text-align: center;">
<b><span style="font-family: verdana;">publica un artículo de la
conocida crítica literaria <span></span></span></b></div>
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<b><span style="font-family: verdana;">France </span></b><b><span lang="ES" style="color: #16191f; font-family: verdana;">Burghelle</span></b><b><span lang="ES" style="font-family: verdana;"> </span></b><b><span style="font-family: verdana;">Rey,
<span></span></span></b></div>
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<b><span style="font-family: verdana;">quien saluda el primer
poemario de Rocío Durán-Barba: <i><span style="color: blue;">París poema azul,</span> </i>que salió al aire el 2005.<span></span></span></b></div>
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Fundacion RDBhttp://www.blogger.com/profile/09391018712810472679noreply@blogger.com0tag:blogger.com,1999:blog-7970338869623505000.post-72747141059290421632017-02-21T04:53:00.001-08:002017-02-22T02:03:08.281-08:00LA CAUSE LITTÉRAIRE - Paris poème bleu<div class="separator" style="clear: both; text-align: center;">
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<span lang="FR" style="color: #003399; font-family: "garamond"; font-size: 18pt;">LA CAUSE
LITTÉRAIRE</span></div>
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<b><i><span lang="FR" style="color: #003399; font-family: "garamond"; font-size: 18pt;">Paris poème bleu, Rocío Durán-barba</span></i></b></div>
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<span lang="FR" style="color: #003399; font-family: "garamond"; font-size: 18pt;">Article écrit
par France Burghelle Rey, critique littéraire, le 04. 02. 2017 dans La Une
Livres, Les Livres, Critiques, Poésie .</span></div>
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<span lang="FR" style="color: #003399; font-family: "garamond"; font-size: 18pt;"><br /></span></div>
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<span lang="ES" style="color: #3a3e44; font-family: "helvetica neue";"><span style="color: #294387; text-decoration: none;"><a data-saferedirecturl="https://www.google.com/url?hl=es&q=http://www.google.com/url?q%3Dhttp%253A%252F%252Fwww.lacauselitteraire.fr%252Fparis-poeme-bleu-rocio-duran-barba%26sa%3DD%26sntz%3D1%26usg%3DAFQjCNFPVvxjP1fD0o4_YVgOC1q6GVxY6g&source=gmail&ust=1487767352408000&usg=AFQjCNFznLLy9k2NEgWCLUk8ba3Z6U_87Q" href="http://www.google.com/url?q=http%3A%2F%2Fwww.lacauselitteraire.fr%2Fparis-poeme-bleu-rocio-duran-barba&sa=D&sntz=1&usg=AFQjCNFPVvxjP1fD0o4_YVgOC1q6GVxY6g" rel="noreferrer" target="_blank">http://www.lacauselitteraire.f<wbr></wbr>r/paris-poeme-bleu-rocio-duran<wbr></wbr>-barba</a></span></span></div>
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<span lang="ES" style="color: #3a3e44; font-family: "helvetica neue";"><br /></span></div>
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<span lang="ES" style="color: #3a3e44; font-family: "helvetica neue";"></span></div>
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<span lang="FR" style="color: #003399; font-family: "garamond"; font-size: 18pt;">Lire le
prologue et regarder les peintures : </span></div>
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<span lang="FR" style="color: #003399; font-family: "garamond"; font-size: 14pt;"><a data-saferedirecturl="https://www.google.com/url?hl=es&q=http://www.google.com/url?q%3Dhttp%253A%252F%252Frocioduranbarba.com%252Fobras_poesia_paris00.html%26sa%3DD%26sntz%3D1%26usg%3DAFQjCNEsMbS5Be_GgdVkl0OsB3b6Nkv7lA&source=gmail&ust=1487767352408000&usg=AFQjCNFwsbRQ-XvNOPmNV1NLFocB7q4_5w" href="http://www.google.com/url?q=http%3A%2F%2Frocioduranbarba.com%2Fobras_poesia_paris00.html&sa=D&sntz=1&usg=AFQjCNEsMbS5Be_GgdVkl0OsB3b6Nkv7lA" rel="noreferrer" target="_blank">http://rocioduranbarba.com/<wbr></wbr>obras_poesia_paris00.html</a></span><br />
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<span lang="FR" style="color: #003399; font-family: garamond; font-size: 18pt;">QUELQUES
POEMES du recueil de poèmes <i>París poème bleu</i> :</span><br />
<span lang="FR" style="color: #003399; font-family: garamond; font-size: 18pt;"><br /></span>
<br />
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<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<span lang="FR" style="font-family: "garamond"; font-size: 14pt;">1.<o:p></o:p></span></div>
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<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<span lang="FR" style="font-family: "garamond"; font-size: 14pt;">Je décidai de l’explorer jusqu’à l’épuisement<o:p></o:p></span></div>
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<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<span lang="FR" style="font-family: "garamond"; font-size: 14pt;">Jusqu’à l’extrême<o:p></o:p></span></div>
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<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<span lang="FR" style="font-family: "garamond"; font-size: 14pt;">L’annulation de l’intervalle<o:p></o:p></span></div>
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<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<span lang="FR" style="font-family: "garamond"; font-size: 14pt;">La droite indomptable<o:p></o:p></span></div>
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<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<span lang="FR" style="font-family: "garamond"; font-size: 14pt;">La fin<o:p></o:p></span></div>
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<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<br /></div>
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<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<span lang="FR" style="font-family: "garamond"; font-size: 14pt;">J’inventai un domicile<o:p></o:p></span></div>
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<br /></div>
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<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<span lang="FR" style="font-family: "garamond"; font-size: 14pt;">Il me fallait compter<o:p></o:p></span></div>
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<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<span lang="FR" style="font-family: "garamond"; font-size: 14pt;">sur ce point<o:p></o:p></span></div>
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<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<span lang="FR" style="font-family: "garamond"; font-size: 14pt;">que reconnaît le pied<o:p></o:p></span></div>
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<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<span lang="FR" style="font-family: "garamond"; font-size: 14pt;">qui le reflète<o:p></o:p></span></div>
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<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<span lang="FR" style="font-family: "garamond"; font-size: 14pt;">Lui donne chaleur<o:p></o:p></span></div>
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<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<span lang="FR" style="font-family: "garamond"; font-size: 14pt;">sens<o:p></o:p></span></div>
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<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<span lang="FR" style="font-family: "garamond"; font-size: 14pt;">écho<o:p></o:p></span></div>
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<span lang="FR" style="font-family: "garamond"; font-size: 14pt;">L’endroit auquel on revient sans penser<o:p></o:p></span></div>
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<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<span lang="FR" style="font-family: "garamond"; font-size: 14pt;">jamais pareil<o:p></o:p></span></div>
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<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<span lang="FR" style="font-family: "garamond"; font-size: 14pt;">même si sa fixité<o:p></o:p></span></div>
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<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<span lang="FR" style="font-family: "garamond"; font-size: 14pt;">nous fait vivre l’illusion<o:p></o:p></span></div>
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<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<span lang="FR" style="font-family: "garamond"; font-size: 14pt;">que rien ne change<o:p></o:p></span></div>
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<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<span lang="FR" style="font-family: "garamond"; font-size: 14pt;">Ce lieu qu’on abandonne<o:p></o:p></span></div>
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<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<span lang="FR" style="font-family: "garamond"; font-size: 14pt;">par une loi fatale<o:p></o:p></span></div>
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<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<span lang="FR" style="font-family: "garamond"; font-size: 14pt;">volontairement<o:p></o:p></span></div>
</div>
<div align="center" class="MsoNormal" style="margin-right: -3.05pt; tab-stops: 301.5pt; text-align: center;">
<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<span lang="FR" style="font-family: "garamond"; font-size: 14pt;">ou avec espoir</span><span lang="ES" style="font-family: "garamond"; font-size: 14pt;"><o:p></o:p></span></div>
</div>
<div align="center" class="MsoNormal" style="margin-right: -1.5pt; text-align: center;">
<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<br /></div>
</div>
<div class="MsoNormal">
<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<br /></div>
</div>
<div class="MsoNormal">
<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<br /></div>
</div>
<div align="center" class="MsoNormal" style="margin-bottom: 0in; margin-left: 0.25in; margin-right: 14.95pt; margin-top: 0in; text-align: center;">
<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<span lang="ES" style="font-size: 14pt;">Decidí explorarla hasta el agotamiento<o:p></o:p></span></div>
</div>
<div align="center" class="MsoNormal" style="margin-bottom: 0in; margin-left: 0.25in; margin-right: 14.95pt; margin-top: 0in; text-align: center;">
<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<span lang="ES" style="font-size: 14pt;">Hasta el extremo<o:p></o:p></span></div>
</div>
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<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<span lang="ES" style="font-size: 14pt;">La anulación del intermedio<o:p></o:p></span></div>
</div>
<div align="center" class="MsoNormal" style="margin-bottom: 0in; margin-left: 0.25in; margin-right: 14.95pt; margin-top: 0in; text-align: center;">
<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<span lang="ES" style="font-size: 14pt;">La recta indomable<o:p></o:p></span></div>
</div>
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<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<span lang="ES" style="font-size: 14pt;">El fin<o:p></o:p></span></div>
</div>
<div class="MsoNormal" style="margin-left: .25in; text-align: justify; text-justify: inter-ideograph;">
<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<br /></div>
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<div align="center" class="MsoNormal" style="margin-bottom: 0in; margin-left: 0.25in; margin-right: -0.1pt; margin-top: 0in; text-align: center; text-indent: -9pt;">
<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<span lang="ES" style="font-size: 14pt;">Inventé un domicilio<o:p></o:p></span></div>
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<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<br /></div>
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<div align="center" class="MsoNormal" style="margin-bottom: 0in; margin-left: 0.25in; margin-right: -1.5pt; margin-top: 0in; text-align: center; text-indent: -9pt;">
<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<span lang="ES" style="font-size: 14pt;">Tenía que contar<o:p></o:p></span></div>
</div>
<div align="center" class="MsoNormal" style="margin-bottom: 0in; margin-left: 0.25in; margin-right: -1.5pt; margin-top: 0in; text-align: center; text-indent: -9pt;">
<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<span lang="ES" style="font-size: 14pt;">con ese punto<o:p></o:p></span></div>
</div>
<div align="center" class="MsoNormal" style="margin-bottom: 0in; margin-left: 0.25in; margin-right: -1.5pt; margin-top: 0in; text-align: center; text-indent: -9pt;">
<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<span lang="ES" style="font-size: 14pt;">que reconoce al pie<o:p></o:p></span></div>
</div>
<div align="center" class="MsoNormal" style="margin-bottom: 0in; margin-left: 0.25in; margin-right: -1.5pt; margin-top: 0in; text-align: center; text-indent: -9pt;">
<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<span lang="ES" style="font-size: 14pt;">Lo refleja<o:p></o:p></span></div>
</div>
<div align="center" class="MsoNormal" style="margin-bottom: 0in; margin-left: 0.25in; margin-right: -1.5pt; margin-top: 0in; text-align: center; text-indent: -9pt;">
<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<span lang="ES" style="font-size: 14pt;">Le permite calor<o:p></o:p></span></div>
</div>
<div align="center" class="MsoNormal" style="margin-bottom: 0in; margin-left: 0.25in; margin-right: -1.5pt; margin-top: 0in; text-align: center; text-indent: -9pt;">
<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<span lang="ES" style="font-size: 14pt;">ritmo<o:p></o:p></span></div>
</div>
<div align="center" class="MsoNormal" style="margin-bottom: 0in; margin-left: 0.25in; margin-right: -1.5pt; margin-top: 0in; text-align: center; text-indent: -9pt;">
<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<span lang="ES" style="font-size: 14pt;">algún eco<o:p></o:p></span></div>
</div>
<div align="center" class="MsoNormal" style="margin-bottom: 0in; margin-left: 0.25in; margin-right: -1.5pt; margin-top: 0in; text-align: center; text-indent: -9pt;">
<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<span lang="ES" style="font-size: 14pt;">Ese lugar al que se retorna sin pensar<o:p></o:p></span></div>
</div>
<div align="center" class="MsoNormal" style="margin-bottom: 0in; margin-left: 0.25in; margin-right: -1.5pt; margin-top: 0in; text-align: center; text-indent: -9pt;">
<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<span lang="ES" style="font-size: 14pt;">nunca igual<o:p></o:p></span></div>
</div>
<div align="center" class="MsoNormal" style="margin-bottom: 0in; margin-left: 0.25in; margin-right: -1.5pt; margin-top: 0in; text-align: center; text-indent: -9pt;">
<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<span lang="ES" style="font-size: 14pt;">aunque su estatismo<o:p></o:p></span></div>
</div>
<div align="center" class="MsoNormal" style="margin-bottom: 0in; margin-left: 0.25in; margin-right: -1.5pt; margin-top: 0in; text-align: center; text-indent: -9pt;">
<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<span lang="ES" style="font-size: 14pt;">nos haga vivir la ilusión<o:p></o:p></span></div>
</div>
<div align="center" class="MsoNormal" style="margin-bottom: 0in; margin-left: 0.25in; margin-right: -1.5pt; margin-top: 0in; text-align: center; text-indent: -9pt;">
<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<span lang="ES" style="font-size: 14pt;">que nada cambia<o:p></o:p></span></div>
</div>
<div align="center" class="MsoNormal" style="margin-bottom: 0in; margin-left: 0.25in; margin-right: -1.5pt; margin-top: 0in; text-align: center; text-indent: -9pt;">
<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<span lang="ES" style="font-size: 14pt;">Ese que se abandona<o:p></o:p></span></div>
</div>
<div align="center" class="MsoNormal" style="margin-bottom: 0in; margin-left: 0.25in; margin-right: -1.5pt; margin-top: 0in; text-align: center; text-indent: -9pt;">
<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<span lang="ES" style="font-size: 14pt;">por ley fatal<o:p></o:p></span></div>
</div>
<div align="center" class="MsoNormal" style="margin-bottom: 0in; margin-left: 0.25in; margin-right: -1.5pt; margin-top: 0in; text-align: center; text-indent: -9pt;">
<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<span lang="ES" style="font-size: 14pt;">voluntariamente<o:p></o:p></span></div>
</div>
<div align="center" class="MsoNormal" style="margin-bottom: 0in; margin-left: 0.25in; margin-right: -1.5pt; margin-top: 0in; text-align: center; text-indent: -9pt;">
<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<span lang="ES" style="font-size: 14pt;">o con esperanza<o:p></o:p></span></div>
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<div class="MsoNormal">
<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
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<div class="MsoNormal">
<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<br /></div>
</div>
<div class="MsoNormal" style="margin-bottom: 0in; margin-left: 14.2pt; margin-right: 28.25pt; margin-top: 0in;">
<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<br /></div>
</div>
<div class="MsoNormal" style="margin-bottom: 0in; margin-left: 14.2pt; margin-right: 28.25pt; margin-top: 0in;">
<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<br /></div>
</div>
<div class="MsoNormal" style="margin-bottom: 0in; margin-left: 14.2pt; margin-right: 28.25pt; margin-top: 0in;">
<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<b style="mso-bidi-font-weight: normal;"><span lang="FR" style="font-family: "garamond"; font-size: 14pt;">2.<o:p></o:p></span></b></div>
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<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<br /></div>
</div>
<div align="center" class="MsoNormal" style="margin-right: 46.45pt; tab-stops: 265.5pt 292.5pt 317.45pt; text-align: center;">
<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<span lang="FR" style="font-family: "garamond"; font-size: 14pt;">Il y avait dans ses rayons<o:p></o:p></span></div>
</div>
<div align="center" class="MsoNormal" style="margin-right: 46.45pt; tab-stops: 265.5pt 292.5pt 317.45pt; text-align: center;">
<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<span lang="FR" style="font-family: "garamond"; font-size: 14pt;">un élément régénérateur<o:p></o:p></span></div>
</div>
<div align="center" class="MsoNormal" style="margin-right: 46.45pt; tab-stops: 265.5pt 292.5pt 317.45pt; text-align: center;">
<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<span lang="FR" style="font-family: "garamond"; font-size: 14pt;">Dans son ambiance<o:p></o:p></span></div>
</div>
<div align="center" class="MsoNormal" style="margin-right: 46.45pt; tab-stops: 265.5pt 292.5pt 317.45pt; text-align: center;">
<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<span lang="FR" style="font-family: "garamond"; font-size: 14pt;">dans ses moments divers<o:p></o:p></span></div>
</div>
<div align="center" class="MsoNormal" style="margin-right: 46.45pt; tab-stops: 265.5pt 292.5pt 317.45pt; text-align: center;">
<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<span lang="FR" style="font-family: "garamond"; font-size: 14pt;">un élément vivifiant<o:p></o:p></span></div>
</div>
<div align="center" class="MsoNormal" style="margin-right: 46.45pt; tab-stops: 265.5pt 292.5pt 317.45pt; text-align: center;">
<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<br /></div>
</div>
<div align="center" class="MsoNormal" style="margin-right: 46.45pt; tab-stops: 265.5pt 292.5pt 317.45pt; text-align: center;">
<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<span lang="FR" style="font-family: "garamond"; font-size: 14pt;">Il y avait dans sa confusion<o:p></o:p></span></div>
</div>
<div align="center" class="MsoNormal" style="margin-right: 46.45pt; tab-stops: 265.5pt 292.5pt 317.45pt; text-align: center;">
<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<span lang="FR" style="font-family: "garamond"; font-size: 14pt;">une voie qui orientait mes pas<o:p></o:p></span></div>
</div>
<div align="center" class="MsoNormal" style="margin-right: 46.45pt; tab-stops: 265.5pt 292.5pt 317.45pt; text-align: center;">
<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<span lang="FR" style="font-family: "garamond"; font-size: 14pt;">Dans son tumulte<o:p></o:p></span></div>
</div>
<div align="center" class="MsoNormal" style="margin-right: 46.45pt; tab-stops: 265.5pt 292.5pt 317.45pt; text-align: center;">
<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<span lang="FR" style="font-family: "garamond"; font-size: 14pt;">un ton pour une chanson<o:p></o:p></span></div>
</div>
<div align="center" class="MsoNormal" style="margin-right: 46.45pt; tab-stops: 265.5pt 292.5pt 317.45pt; text-align: center;">
<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<span lang="FR" style="font-family: "garamond"; font-size: 14pt;">Et au milieu de ses masses il y avait<o:p></o:p></span></div>
</div>
<div align="center" class="MsoNormal" style="margin-right: 46.45pt; tab-stops: 265.5pt 292.5pt 317.45pt; text-align: center;">
<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<span lang="FR" style="font-family: "garamond"; font-size: 14pt;">pour ma solitude<o:p></o:p></span></div>
</div>
<div align="center" class="MsoNormal" style="margin-right: 46.45pt; tab-stops: 265.5pt; text-align: center;">
<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<span lang="FR" style="font-family: "garamond"; font-size: 14pt;">un espace</span><span lang="FR" style="font-family: "garamond"; font-size: 14pt;"></span><span lang="ES" style="font-family: "garamond"; font-size: 14pt;"><o:p></o:p></span></div>
</div>
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<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<br /></div>
</div>
<div class="MsoNormal">
<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<br /></div>
</div>
<div align="center" class="MsoNormal" style="margin-bottom: 0in; margin-left: 9pt; margin-right: -1.5pt; margin-top: 0in; text-align: center;">
<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<br /></div>
</div>
<div align="center" class="MsoNormal" style="margin-bottom: 0in; margin-left: 9pt; margin-right: -1.5pt; margin-top: 0in; text-align: center;">
<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<span lang="ES" style="font-size: 14pt;">Había entre sus rayos<o:p></o:p></span></div>
</div>
<div align="center" class="MsoNormal" style="margin-bottom: 0in; margin-left: 9pt; margin-right: -1.5pt; margin-top: 0in; text-align: center;">
<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<span lang="ES" style="font-size: 14pt;">algo regenerador<o:p></o:p></span></div>
</div>
<div align="center" class="MsoNormal" style="margin-bottom: 0in; margin-left: 9pt; margin-right: -1.5pt; margin-top: 0in; text-align: center;">
<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<span lang="ES" style="font-size: 14pt;">En su ambiente<o:p></o:p></span></div>
</div>
<div align="center" class="MsoNormal" style="margin-bottom: 0in; margin-left: 9pt; margin-right: -1.5pt; margin-top: 0in; text-align: center;">
<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<span lang="ES" style="font-size: 14pt;">en sus momentos varios<o:p></o:p></span></div>
</div>
<div align="center" class="MsoNormal" style="margin-bottom: 0in; margin-left: 9pt; margin-right: -1.5pt; margin-top: 0in; text-align: center;">
<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<span lang="ES" style="font-size: 14pt;">algo vivificante<o:p></o:p></span></div>
</div>
<div align="center" class="MsoNormal" style="margin-bottom: 0in; margin-left: 9pt; margin-right: -1.5pt; margin-top: 0in; text-align: center;">
<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<br /></div>
</div>
<div align="center" class="MsoNormal" style="margin-bottom: 0in; margin-left: 9pt; margin-right: -1.5pt; margin-top: 0in; text-align: center;">
<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<span lang="ES" style="font-size: 14pt;">Había en su confusión<o:p></o:p></span></div>
</div>
<div align="center" class="MsoNormal" style="margin-bottom: 0in; margin-left: 9pt; margin-right: -1.5pt; margin-top: 0in; text-align: center;">
<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<span lang="ES" style="font-size: 14pt;">rumbo para mi paso<o:p></o:p></span></div>
</div>
<div align="center" class="MsoNormal" style="margin-bottom: 0in; margin-left: 9pt; margin-right: -1.5pt; margin-top: 0in; text-align: center;">
<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<span lang="ES" style="font-size: 14pt;">En su alboroto<o:p></o:p></span></div>
</div>
<div align="center" class="MsoNormal" style="margin-bottom: 0in; margin-left: 9pt; margin-right: -1.5pt; margin-top: 0in; text-align: center;">
<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<span lang="ES" style="font-size: 14pt;">tono para algún canto<o:p></o:p></span></div>
</div>
<div align="center" class="MsoNormal" style="margin-bottom: 0in; margin-left: 9pt; margin-right: -1.5pt; margin-top: 0in; text-align: center;">
<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<span lang="ES" style="font-size: 14pt;">Y en medio de sus masas había<o:p></o:p></span></div>
</div>
<div align="center" class="MsoNormal" style="margin-bottom: 0in; margin-left: 9pt; margin-right: -1.5pt; margin-top: 0in; text-align: center;">
<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<span lang="ES" style="font-size: 14pt;">para mi soledad<o:p></o:p></span></div>
</div>
<div align="center" class="MsoNormal" style="margin-bottom: 0in; margin-left: 9pt; margin-right: -1.5pt; margin-top: 0in; text-align: center;">
<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<span lang="ES" style="font-size: 14pt;">espacio<o:p></o:p></span></div>
</div>
<div class="MsoNormal" style="margin-left: 9pt;">
<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<br /></div>
</div>
<div class="MsoNormal">
<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<br /></div>
</div>
<div class="MsoNormal">
<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<br /></div>
</div>
<div class="MsoNormal">
<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<span lang="FR" style="font-family: "garamond"; font-size: 14pt;">3.<o:p></o:p></span></div>
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<br /></div>
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<br /></div>
</div>
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<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
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</div>
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<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<span lang="FR" style="font-family: "garamond"; font-size: 14pt;">Le soleil finissait de succomber<o:p></o:p></span></div>
</div>
<div align="center" class="MsoNormal" style="margin-right: 59.75pt; text-align: center;">
<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<span lang="FR" style="font-family: "garamond"; font-size: 14pt;">Les jaunes<o:p></o:p></span></div>
</div>
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<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<span lang="FR" style="font-family: "garamond"; font-size: 14pt;"><span style="mso-spacerun: yes;"> </span>ocre-orangés<o:p></o:p></span></div>
</div>
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<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<span lang="FR" style="font-family: "garamond"; font-size: 14pt;">avaient disparu<o:p></o:p></span></div>
</div>
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<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<br /></div>
</div>
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<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<span lang="FR" style="font-family: "garamond"; font-size: 14pt;">Fin d’automne<o:p></o:p></span></div>
</div>
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<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<br /></div>
</div>
<div align="center" class="MsoNormal" style="margin-right: 59.75pt; text-align: center;">
<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<span lang="FR" style="font-family: "garamond"; font-size: 14pt;">Une tonalité café régnait<o:p></o:p></span></div>
</div>
<div align="center" class="MsoNormal" style="margin-right: 59.75pt; text-align: center;">
<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<span lang="FR" style="font-family: "garamond"; font-size: 14pt;">Les rares feuilles survivantes<o:p></o:p></span></div>
</div>
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<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<span lang="FR" style="font-family: "garamond"; font-size: 14pt;">tombaient d’ennui<o:p></o:p></span></div>
</div>
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<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<span lang="FR" style="font-family: "garamond"; font-size: 14pt;">La Ville s’en divertissait<o:p></o:p></span></div>
</div>
<div align="center" class="MsoNormal" style="margin-right: 59.75pt; text-align: center;">
<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<span lang="FR" style="font-family: "garamond"; font-size: 14pt;">Elle s’en vêtait-revêtait<o:p></o:p></span></div>
</div>
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<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<span lang="FR" style="font-family: "garamond"; font-size: 14pt;">Les agitait<o:p></o:p></span></div>
</div>
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<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<span lang="FR" style="font-family: "garamond"; font-size: 14pt;">comme autant de fulminations<o:p></o:p></span></div>
</div>
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<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<span lang="FR" style="font-family: "garamond"; font-size: 14pt;">Et son expression<o:p></o:p></span></div>
</div>
<div align="center" class="MsoNormal" style="margin-right: 59.75pt; text-align: center;">
<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<span lang="FR" style="font-family: "garamond"; font-size: 14pt;">accentuait l’univers solitaire<o:p></o:p></span></div>
</div>
<div align="center" class="MsoNormal" style="margin-right: 59.75pt; text-align: center;">
<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<span lang="FR" style="font-family: "garamond"; font-size: 14pt;">Une montagne d’objets<o:p></o:p></span></div>
</div>
<div align="center" class="MsoNormal" style="margin-right: 59.75pt; text-align: center;">
<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<span lang="FR" style="font-family: "garamond"; font-size: 14pt;">Rien<o:p></o:p></span></div>
</div>
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<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<span lang="FR" style="font-family: "garamond"; font-size: 14pt;">Le coteau des autres<o:p></o:p></span></div>
</div>
<div align="center" class="MsoNormal" style="margin-right: 59.75pt; text-align: center;">
<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<span lang="FR" style="font-family: "garamond"; font-size: 14pt;">Personne<o:p></o:p></span></div>
</div>
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<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<br /></div>
</div>
<div class="MsoNormal">
<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<br /></div>
</div>
<div class="MsoNormal">
<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<br /></div>
</div>
<div class="MsoNormal">
<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<br /></div>
</div>
<div align="center" class="MsoNormal" style="text-align: center;">
<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<br /></div>
</div>
<div align="center" class="MsoNormal" style="text-align: center;">
<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<span lang="ES" style="font-size: 14pt;">El sol terminaba de agotarse<o:p></o:p></span></div>
</div>
<div align="center" class="MsoNormal" style="text-align: center;">
<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<span lang="ES" style="font-size: 14pt;">Los amarillos<o:p></o:p></span></div>
</div>
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<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<span lang="ES" style="font-size: 14pt;">anaranjados-ocres<o:p></o:p></span></div>
</div>
<div align="center" class="MsoNormal" style="text-align: center;">
<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<span lang="ES" style="font-size: 14pt;">habían desaparecido<o:p></o:p></span></div>
</div>
<div align="center" class="MsoNormal" style="text-align: center;">
<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<br /></div>
</div>
<div align="center" class="MsoNormal" style="text-align: center;">
<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<span lang="ES" style="font-size: 16pt;">Fin de otoño<o:p></o:p></span></div>
</div>
<div align="center" class="MsoNormal" style="text-align: center;">
<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<br /></div>
</div>
<div align="center" class="MsoNormal" style="text-align: center;">
<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<span lang="ES" style="font-size: 14pt;">Reinaba un café desvanecido<o:p></o:p></span></div>
</div>
<div align="center" class="MsoNormal" style="text-align: center;">
<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<span lang="ES" style="font-size: 14pt;">Las pocas hojas que sobrevivían<o:p></o:p></span></div>
</div>
<div align="center" class="MsoNormal" style="text-align: center;">
<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<span lang="ES" style="font-size: 14pt;">caían hasta la desazón<o:p></o:p></span></div>
</div>
<div align="center" class="MsoNormal" style="text-align: center;">
<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<span lang="ES" style="font-size: 14pt;">La Ciudad se recreaba<o:p></o:p></span></div>
</div>
<div align="center" class="MsoNormal" style="text-align: center;">
<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<span lang="ES" style="font-size: 14pt;">Con ellas se vestía-revestía<o:p></o:p></span></div>
</div>
<div align="center" class="MsoNormal" style="text-align: center;">
<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<span lang="ES" style="font-size: 14pt;">Las agitaba<o:p></o:p></span></div>
</div>
<div align="center" class="MsoNormal" style="text-align: center;">
<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<span lang="ES" style="font-size: 14pt;">fulminosa<o:p></o:p></span></div>
</div>
<div align="center" class="MsoNormal" style="text-align: center;">
<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<span lang="ES" style="font-size: 14pt;">Y su gesto<o:p></o:p></span></div>
</div>
<div align="center" class="MsoNormal" style="text-align: center;">
<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<span lang="ES" style="font-size: 14pt;">acentuaba un universo solitario<o:p></o:p></span></div>
</div>
<div align="center" class="MsoNormal" style="text-align: center;">
<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<span lang="ES" style="font-size: 14pt;">Montaña de objetos<o:p></o:p></span></div>
</div>
<div align="center" class="MsoNormal" style="text-align: center;">
<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<span lang="ES" style="font-size: 14pt;">Nada<o:p></o:p></span></div>
</div>
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<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<span lang="ES" style="font-size: 14pt;">Cerro de los otros<o:p></o:p></span></div>
</div>
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<div style="margin-bottom: 0px; margin-left: 0px; margin-right: 0px; margin-top: 0px;">
<span lang="ES" style="font-size: 14pt;">Nadie</span></div>
</div>
</div>
<br />Fundacion RDBhttp://www.blogger.com/profile/09391018712810472679noreply@blogger.com0tag:blogger.com,1999:blog-7970338869623505000.post-12978285490029266132017-02-20T09:37:00.001-08:002017-02-20T09:37:24.201-08:00P.E.N. Colloque<div class="separator" style="clear: both; text-align: center;">
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2.</div>
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3. </div>
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<span lang="FR" style="color: blue; font-family: Verdana; mso-ansi-language: FR; mso-bidi-font-family: Arial; mso-bidi-font-weight: bold;">Intervention de Rocío Durán-Barba lors des journées phares du P.E.N. CLUB
FRANÇAIS (poètes, essayistes, nouvellistes). Février, 2017. </span><span lang="FR" style="color: blue; font-family: Verdana; mso-ansi-language: FR; mso-bidi-font-family: Arial;"><o:p></o:p></span></div>
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<br /></div>
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<b style="mso-bidi-font-weight: normal;"><span lang="FR" style="font-family: Verdana; mso-ansi-language: FR;">LE
BILINGUISME : UN HORIZON COMPLEXE<o:p></o:p></span></b></div>
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<br /></div>
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<b style="mso-bidi-font-weight: normal;"><span lang="FR" style="font-family: Verdana; mso-ansi-language: FR;">Rocío
Durán-Barba<o:p></o:p></span></b></div>
<div class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph;">
<span lang="FR" style="font-family: Verdana; mso-ansi-language: FR;"><span style="mso-tab-count: 1;"> </span>Gaston Miron (1928-1996) a su exprimer
mieux que tout autre écrivain l’âme du peuple québécois. Son œuvre littéraire résonne
comme un chant universel pour défendre la cause de sa langue et de sa culture. <o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph;">
<span lang="FR" style="font-family: Verdana; mso-ansi-language: FR;"><span style="mso-tab-count: 1;"> </span>Son histoire commence à une époque où
sa langue est méprisée, car colonisée. Où sa culture est bafouée car minoritaire.
Un scénario dans lequel il a le sentiment d’être étranger à sa propre langue.
Le français est vu comme une langue faite de carences, calquée sur la structure
de la langue anglaise.<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph;">
<span lang="FR" style="font-family: Verdana; mso-ansi-language: FR;"><span style="mso-tab-count: 1;"> </span>Il se fait alors le défenseur fougueux
de sa langue. La liberté est son enseigne. Liberté d’un peuple aliéné, soumis à
la culture anglaise. Plus tard, Miron étend son champ d’action. Il s’emploie à
démontrer que sa langue franco-québécoise rayonne sur un espace autrement plus
vaste que le Canada et la France.<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph;">
<span lang="FR" style="font-family: Verdana; mso-ansi-language: FR;"><span style="mso-tab-count: 1;"> </span>Longtemps troublé par le bilinguisme, Miron
fait de la langue l’instrument pour affirmer son identité. Sa poésie se
consacre à créer un lieu de retrouvailles. Retrouvailles avec les autres.
Retrouvailles avec lui-même. Et au-delà, un moyen d’entente et de communication
collective. Sa langue devient une arme de lutte. Elle est subversive. Un appel vivificateur.
Un cri d’espoir.<o:p></o:p></span></div>
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<span lang="FR" style="font-family: Verdana; mso-ansi-language: FR;"><span style="mso-tab-count: 1;"> </span>C’est dans cette perspective qu’il
retravaille la langue française. L’enrichit. Lui donne du rythme. La tapisse d’une
syntaxe et d’un vocabulaire québécois. Il en fait une réponse au bilinguisme
qui l’étouffe ; le bilinguisme, cette « situation qui dissocie, qui
sépare le dehors et le dedans »<sup>1</sup>. C’est le combat de sa vie.<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph;">
<span lang="FR" style="font-family: Verdana; mso-ansi-language: FR;"><span style="mso-tab-count: 1;"> </span>Gaston Miron défend le rapport à la
langue comme le fondement de l’identité de tout homme. Selon lui, l’être humain
est conditionné par sa langue originelle ; c’est elle qui construit le
rapport d’un individu au monde durant toute son existence.<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph;">
<span lang="FR" style="font-family: Verdana; mso-ansi-language: FR;"><span style="mso-tab-count: 1;"> </span><span style="mso-spacerun: yes;"> </span>Il prône le refus du bilinguisme. Et inscrit
la défense de la culture et de la langue françaises comme un symbole de liberté
et de résistance dans l’universalité.<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph;">
<span lang="FR" style="font-family: Verdana; mso-ansi-language: FR;"><span style="mso-tab-count: 1;"> </span>Mais le bilinguisme est un phénomène vécu
différemment par les écrivains. <o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph;">
<span lang="FR" style="font-family: Verdana; mso-ansi-language: FR;"><span style="mso-spacerun: yes;"> </span><span style="mso-tab-count: 1;"> </span></span><span lang="FR" style="font-family: Verdana; mso-ansi-language: FR; mso-bidi-font-family: Arial;">Jack Kerouac (1922-1969), le plus représentatif des écrivains de la
« Beat generation » américaine, est lui aussi né dans une communauté
canadienne-française tissée et cernée par l’anglais. Contemporain de Gaston
Miron, il a vécu sans doute le même drame que lui mais a résolu la question
autrement.</span><span lang="FR" style="font-family: Verdana; mso-ansi-language: FR;"> </span><span lang="FR" style="font-family: Verdana; mso-ansi-language: FR; mso-bidi-font-family: Arial;">S’estimant simplement incapable d’écrire en français, il
décida d’écrire en anglais parce que c’était la langue de son éducation. Celle
qu’il maîtrisait le mieux. Le choix de la langue fut pour lui une question de
maîtrise de l’expression.<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph;">
<span lang="FR" style="font-family: Verdana; mso-ansi-language: FR; mso-bidi-font-family: Arial;"><span style="mso-tab-count: 1;"> </span>Mais les plus récentes études
sur son œuvre mythique <i style="mso-bidi-font-style: normal;">On the Road</i>, révèlent
que son bilinguisme lui a donné une grande liberté pour manier la prose
américaine d’une façon nouvelle. Sa « prose spontanée » découlerait
de sa langue maternelle française et de sa perte, fait qui l’amena à se déclarer
sans langue ni pays…</span><span lang="FR" style="font-family: Verdana; mso-ansi-language: FR;"><o:p></o:p></span></div>
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<br /></div>
<div class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph;">
<span lang="FR" style="font-family: Verdana; mso-ansi-language: FR; mso-bidi-font-family: Arial;"><span style="mso-tab-count: 1;"> </span>Le bilinguisme dans l’écriture
est</span><span lang="FR" style="font-family: Verdana; mso-ansi-language: FR;"> </span><span lang="FR" style="font-family: Verdana; mso-ansi-language: FR; mso-bidi-font-family: Arial;">parfois une bénédiction. Parfois, une malédiction. Sa difficulté </span><span lang="FR" style="font-family: Verdana; mso-ansi-language: FR;">a hanté bien des écrivains :</span><span lang="FR" style="font-family: Verdana; mso-ansi-language: FR; mso-bidi-font-family: Arial;"><o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph;">
<span lang="FR" style="font-family: Verdana; mso-ansi-language: FR;">Julien Green, par
exemple, se sentait affecté par sa double compétence linguistique, mais il est
devenu le plus parisien des écrivains américains.</span><span lang="FR" style="font-family: Verdana; mso-ansi-language: FR; mso-bidi-font-family: Arial;"><o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph;">
<span lang="FR" style="font-family: Verdana; mso-ansi-language: FR;">L’Espagnol Jorge
Semprum s’est vu contraint par l’exil à endosser l’identité française, mais il
se disait par rapport à la langue « totalement schizoïde, totalement
scindé »<sup>2</sup>.<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph;">
<span lang="FR" style="font-family: Verdana; mso-ansi-language: FR;">Joseph Conrad, pour sa
part, passant volontairement du polonais à l’anglais, déclarait faire des
efforts colossaux, « travailler comme un mineur de charbon dans son puits
à extraire toutes les phrases anglaises d’une nuit noire »<sup>3</sup>.<o:p></o:p></span></div>
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<br /></div>
<div class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph;">
<span lang="FR" style="font-family: Verdana; mso-ansi-language: FR; mso-bidi-font-family: Arial;"><span style="mso-tab-count: 1;"> </span>Le bilinguisme est un univers
complexe. </span><span lang="FR" style="font-family: Verdana; mso-ansi-language: FR;">Aux difficultés personnelles d’un écrivain, s’ajoutent les contraintes des
milieux intellectuels et des critiques de la langue adoptée.</span><span lang="FR" style="font-family: Verdana; mso-ansi-language: FR; mso-bidi-font-family: Arial;"><o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph;">
<span lang="FR" style="font-family: Verdana; mso-ansi-language: FR; mso-bidi-font-family: Arial;">Le Tchèque Milan Kundera, pour citer l’un des cas les plus connus, bascule
vers la langue française pour des raisons politiques en 1975. Vingt ans plus
tard, il publie <i>La lenteur</i> (1995), son premier roman rédigé dans sa
langue d’adoption. Malgré sa renommée il subit une somme de critiques lui
reprochant son style, mais il persévère et s’impose. Sa décision d’écrire en
français le mène, plus tard, à réviser avec acharnement toutes les traductions
de ses premiers romans vers le français.<o:p></o:p></span></div>
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<br /></div>
<div class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph;">
<span lang="FR" style="font-family: Verdana; mso-ansi-language: FR; mso-bidi-font-family: Arial;"><span style="mso-tab-count: 1;"> </span>L</span><span lang="FR" style="font-family: Verdana; mso-ansi-language: FR; mso-bidi-font-family: Verdana;">e
bilinguisme créateur est un phénomène culturel très répandu dans les lettres depuis
le XXe siècle jusqu’à nos jours. Ses représentants sont des écrivains ayant
composé leurs œuvres souvent dans deux langues, celle de leurs origines et
celle de la culture d’accueil. Eugène Ionesco en est un, parmi les plus
célèbres. Son bilinguisme l’a amené à doter de qualités artistiques innovantes
ses textes écrits au départ en roumain ; à développer son écriture en
français jusqu’à fonder le théâtre de l’absurde.</span><span lang="FR" style="font-family: Verdana; mso-ansi-language: FR; mso-bidi-font-family: Arial;"><o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph;">
<span lang="FR" style="font-family: Verdana; mso-ansi-language: FR; mso-bidi-font-family: Arial;"><span style="mso-tab-count: 1;"> </span>Comme lui, beaucoup d’auteurs
étrangers ont adopté la langue de Molière et ont fini par donner un élan voire un
renouvellement aux lettres françaises. C’est le cas de l’Irlandais Samuel
Beckett<b style="mso-bidi-font-weight: normal;"> </b>qui a décidé d’écrire son
répertoire théâtral en français parce que l’écriture dans cette langue seconde
lui permettait plus facilement d’écrire « sans style », une technique
qui lui convenait parfaitement (et illustrait d’autant mieux sa philosophie
nihiliste).<o:p></o:p></span></div>
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<br /></div>
<div class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph;">
<span lang="FR" style="font-family: Verdana; mso-ansi-language: FR;"><span style="mso-tab-count: 1;"> </span>Le bilinguisme est une réalité en
construction permanente. Porté par une dynamique de la vie. Par des événements,
circonstances, stratégies… Dynamique qui se révèle différemment selon le monde
personnel de chaque écrivain. D’après son ressenti, son esprit, les
circonstances de son quotidien. Mais elle n’est pas uniforme. Car s’il y a bien
des écrivains qui peuvent s’exprimer légitimement dans leur langue d’origine et
dans une langue adoptée, il y en a d’autres qui n’y arrivent jamais.<o:p></o:p></span></div>
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<br /></div>
<div class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph;">
<span lang="FR" style="font-family: Verdana; mso-ansi-language: FR; mso-bidi-font-family: Arial;"><span style="mso-tab-count: 1;"> </span></span><span lang="FR" style="font-family: Verdana; mso-ansi-language: FR;">Écrire dans une langue
d’adoption c’est découvrir un univers à s’approprier. Conjuguer deux horizons.
Naviguer sur deux océans. Concilier deux cultures.</span><span lang="FR" style="font-family: Verdana; mso-ansi-language: FR; mso-bidi-font-family: Arial;"> Aventure
complexe. Merveilleuse-tortueuse. Passionnante et difficile à l’unisson. Un
choix qui demande beaucoup de travail, persévérance, résolution.<o:p></o:p></span></div>
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<br /></div>
<div class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph;">
<span lang="FR" style="font-family: Verdana; mso-ansi-language: FR;"><span style="mso-tab-count: 1;"> </span>Actuellement nous sommes nombreux à
vivre cette aventure. À vivre en équilibre entre deux mondes. Deux cultures.
Deux langues. <o:p></o:p></span></div>
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<br /></div>
<div class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph;">
<span lang="FR" style="font-family: Verdana; mso-ansi-language: FR;"><span style="mso-tab-count: 1;"> </span>Pour ce qui me concerne, ma langue
d'origine est l'espagnol. Elle a été mon berceau. Berceau nuancé par l'alphabet
andin. J'ai appris à marcher avec son accent. Au milieu de ses voyelles, syllabes
et vocables, j'ai grandi. J'ai navigué sur sa magie. Entre ses lianes, j'ai
vécu et me suis fortifiée.<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify; text-indent: 35.4pt; text-justify: inter-ideograph;">
<span lang="FR" style="font-family: Verdana; mso-ansi-language: FR;">Le jour où j'ai quitté mon pays, ma langue est devenue mon bouclier et mon
manteau. Bouclier protecteur. Manteau andin capable de m'abriter. M'encourager.
M'émerveiller. Me-dire-traduire.<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph;">
<span lang="FR" style="font-family: Verdana; mso-ansi-language: FR;"><span style="mso-tab-count: 1;"> </span>« Langue mienne », l'ai-je
appelée depuis toujours. « Mon trésor ». Et je l'ai vénérée. L'ai
considérée comme le seul moyen de survie. La seule possibilité d'être. Mon identité.<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph;">
<span lang="FR" style="font-family: Verdana; mso-ansi-language: FR;"><span style="mso-tab-count: 1;"> </span>Aujourd'hui, je la célèbre dans ma vie parce
qu'elle a été et sera toujours présence. Compagnie le long du chemin. Langue
mère. Capable de nommer le commencement. La lumière et les ombres. L'air et les
nuages. La pluie. Le feu. La mer. La terre... Sève unique. Capable de circuler
sur chaque feuille et chaque branche de l'arbre de la vie. Capable de désigner
l'univers et la Voie Lactée ainsi que les détails les plus insignifiants. Les
plus méconnus.<o:p></o:p></span></div>
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<br /></div>
<div class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph;">
<span lang="FR" style="font-family: Verdana; mso-ansi-language: FR;"><span style="mso-tab-count: 1;"> </span>Mais aujourd'hui, à mes côtés, je
célèbre aussi une autre langue. Le français. Car elle m'a prise par le bras.
Elle s'est faite à moi. À l'itinéraire de mon voyage. Défiante. Séductrice. Elle
m'ensorcelle. Me surprend. Me secoue… Aussi a-t-elle appris à me bercer (ou
bien est-ce moi qui ai appris à me bercer dans son balancement ?).<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph;">
<span lang="FR" style="font-family: Verdana; mso-ansi-language: FR;"><span style="mso-tab-count: 1;"> </span>Langue adoptée, certes. Mais aussi « langue
mienne ». Autre chant apportant les notes qui m'invitent à voler-rêver-créer.
À dire d'une autre tonalité la lumière. La nature. Le chemin. La vie. Notre vie.<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify; text-indent: 35.4pt; text-justify: inter-ideograph;">
<span lang="FR" style="font-family: Verdana; mso-ansi-language: FR;">Voix qui me pousse à écrire. Sans répit. Écrire sur mon sable. Sur ma peau.
Sur les pierres du temps. Sur le tremblement de l’aurore et la page de
l’arc-en-ciel. Voix qui me révèle une orientation. Le tangible-intangible. Le
murmure du ciel. Le paysage du va-et-vient. Ses cris et son aphasie. Notre actualité-réalité.
<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph;">
<span lang="FR" style="font-family: Verdana; mso-ansi-language: FR;"><span style="mso-tab-count: 1;"> </span>Langue chargée de musique et de chœurs.
De sons amoncelés. Resplendissants. Nouveaux. Défiants-intrigants.
Multiples-multipliés. Langue revêtue de mots qui s'écoulent comme un fleuve. Irrévérencieuse.
Fascinante. Éloquence et silence de mon poème quotidien.<o:p></o:p></span></div>
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<br /></div>
<div class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph;">
<span lang="FR" style="font-family: Verdana; mso-ansi-language: FR;"><span style="mso-tab-count: 1;"> </span>Ainsi en a voulu le hasard. Ainsi en a
décidé le destin. Et c'est ainsi que je le désire à présent. Je ne l'avais pas prévu.
Personne ne l'avait ordonné. Le destin. Sans questions. Sans préméditation. Avec
la seule certitude du rythme de mes jours.<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph;">
<span lang="FR" style="font-family: Verdana; mso-ansi-language: FR;"><span style="mso-tab-count: 1;"> </span>Aventure sans pareille. Mon âme l'a
reçue ainsi. Et l'aime à la folie. Elle aime cette broderie complexe de deux
langues entre ses mains. Sur ses lèvres. Dans son cœur. Avec des échos divers.
Images indicibles. D’autres correspondances...<o:p></o:p></span></div>
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<br /></div>
<div class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph;">
<span lang="FR" style="font-family: Verdana; mso-ansi-language: FR;"><span style="mso-tab-count: 1;"> </span>L'espagnol et le français. Face à face.
Sur mon horizon, elles se sont installées il y a longtemps pour cohabiter. Pour
construire-détruire mes voix-silences-pensées. Mes pages paires-impaires. Oui.
Elles se sont installées sur le pont où je vis. Entre deux mondes, deux rives,
deux cultures. Là où je vis, entre le soleil et la lune. Un pont au souffle de
fleuve. Emporté. Comblé d'expressions inédites. De rumeurs retentissantes. Un
pont transparent. Irremplaçable. Inexplicable. Qui sera ma forteresse. Mon
secret. Ma façon de vivre. De continuer. Et de résister.<o:p></o:p></span></div>
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<br /></div>
<div align="right" class="MsoNormal" style="text-align: right;">
<span lang="FR" style="font-family: Verdana; mso-ansi-language: FR;">Paris, février 2017<o:p></o:p></span></div>
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<br /></div>
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<br /></div>
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<span lang="FR" style="font-family: Verdana; mso-ansi-language: FR;">-----<o:p></o:p></span></div>
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<br /></div>
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<br /></div>
<div class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph;">
<span lang="FR" style="font-family: Verdana; font-size: 8.0pt; mso-ansi-language: FR;">1.
Cité dans Jean-Michel Maulpoix, <i style="mso-bidi-font-style: normal;">Gaston
Miron, le rapailleur</i>, Paris, Gallimard, 1999.<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph;">
<span lang="FR" style="font-family: Verdana; font-size: 8.0pt; mso-ansi-language: FR;">2. Cité
dans Juan Cruz, « Jorge Semprum, escritor », Madrid, El Pais, 17 mars
2002.<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph;">
<span lang="FR" style="font-family: Verdana; font-size: 8.0pt; mso-ansi-language: FR;">3. Mikaël
Oustinoff, <i style="mso-bidi-font-style: normal;">Bilinguisme d’écriture et
auto-traduction</i>, Paris, L’Harmattan, 2001.<o:p></o:p></span></div>
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<br />Fundacion RDBhttp://www.blogger.com/profile/09391018712810472679noreply@blogger.com0tag:blogger.com,1999:blog-7970338869623505000.post-23535525082610751612017-01-16T10:16:00.001-08:002017-01-16T10:16:31.075-08:00Regards croisés - Photos de la présentation<div class="separator" style="clear: both; text-align: center;">
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